Daily Archives: April 2, 2021


Monday, April 12, 1:00 pm – 12:30 pm – Other Voices in Garden History: Guns and Roses: Humphrey Repton at Warley Park, Online

The landscape gardener Humphry Repton’s working life witnessed great social change. He disliked the new money men connected with trade and commerce, but reluctantly benefited greatly from these bankers, industrialist and merchants who profited from war and colonial contracts. The profits of empire percolated through the whole of the British economy and funded the creation of many gardens and landscapes of aspiration. This online lecture sponsored by The Gardens Trust on April 12 at 1 pm Eastern looks at Humphry Repton’s work for the Quaker gun manufacturer Samuel Galton Junior at his estate at Warley Woods, Birmingham.

This is the first in a ten part series celebrating the voices beginning to be heard. This series of illustrated lectures will explore the impact and legacy of empire, colonialism and enslavement on western garden and landscape history. The aim is to bring back some of the voices usually absent from this history, to identify and fill gaps in our collective knowledge, and to explore new ways of engaging with the whole history of gardens, landscapes and horticulture.

The diverse range of topics and speakers will offer a new range of perspectives on the history of gardens and landscapes and suggest more inclusive ways of presenting and interpreting their stories. The series does not aim to point fingers or to encourage hand-wringing but is more a celebration of voices starting to be heard.

Garden, Plant and Social Historian Advolly Richmond is an independent researcher based in Shrewsbury, Shropshire, UK. She is a trustee of the Welsh Historic Gardens Trust and she sits on the Gardens Trust Events and Education Committee. Through her Royal Horticultural Society training and qualifications she went on to achieve an MA in Garden History from the University of Bristol. A member of the Garden Media Guild, she is a television presenter on BBC Gardener’s World and a contributor to BBC Gardener’s Question Time. She lectures on a variety of 16th to 20th century subjects and is currently researching the life and achievements of the Anglo-African Victorian botanist the Reverend Thomas Birch Freeman (1809 – 1890).

Tickets are five pounds (approximately $7), payable through Eventbrite by clicking HERE.


Through April, 2021 – Over Time: Through Art, The Impact of Change in the Arboretum Landscape, Monotype Paintings by Ginny Zanger

Five decades of weekly walks in the Arnold Arboretum find expression in Ginny Zanger’s art. “Rambling” gives her time to sketch and paint. Using the unique possibilities of her favorite medium—watercolor—and printmaking, Zanger explores, with articulate interpretations, the Arboretum’s rich botanical display. In this online show, most of her work is on Yupo, a silky, polypropylene paper that enhances the flow of the watercolor.

After her undergraduate time at Harvard, Zanger moved from Cambridge to Jamaica Plain. On this side of the river, she has spent years thoroughly immersed in the education of the Arboretum.

Part of that education revolved around a concern for the effect of global warming on plants. Inspired by climate change research conducted by Arboretum Fellow Catherine Chamberlain, Zanger brought an additional and ongoing focus to her work. She made the exception to her monotype paintings in her dramatic charcoal drawing, False Spring/Fatal Budburst, based on a photograph provided by researchers.

Ginny Zanger is an award-winning painter and printmaker whose work can be seen at the Cove Gallery, Wellfleet, the Copley Society of Art, JP Open Studios, on her website, and on Instagram @ginnyzanger and @artgirlzboston. Zanger has been a strong presence in the Boston Art community through teaching, participating in an extensive number of solo and juried group exhibitions, and attending numerous artist’s residencies.

To provide opportunities for Boston children to learn here, 50 percent of any sales from this exhibition will go to support the Arnold Arboretum’s important, ongoing educational programming with Boston Public Schools.                      

All rights of the images reside with the artist. For more information on making a copy, or reusing an image, please send your request to arbweb@arnarb.harvard.edu. For information on the work itself, or to inquire about purchasing art, please also send your request to arbweb@arnarb.harvard.edu. We will put you in touch with the artist. To view, click HERE