Hundreds of mushrooms hide beneath the Arnold Arboretum’s canopies, silently blossoming into unique forms then withering away again just as quickly. Join local mushroom enthusiast Maria Pinto on January 27 at 2 pm to search for these fascinating organisms on the Arboretum grounds, both edible and poisonous alike. Along the way you will learn what mushrooms to look for in different habitats and seasons, how they move through ecosystems, and what the Arboretum’s unique collections affect what mushrooms you might find here. Meet at the Bussey Street Gate. Registration required at https://arboretum.harvard.edu/events/event-signup/?id=82552
Accessibility: Participants will need to navigate woodchip, gravel, and dirt paths, and climb moderate hills.
In the event of inclement weather, registrants will be notified via email. If you have questions, please email publicprograms@arnarb.harvard.edu or call the Visitor Center desk between 10:00am and 4:00pm at (617) 384-5209.
Although architecture itself originated from a need for shelter from nature, modern humans retain the desire to live with nature around or near them—even in urban settings. Since the development of plate glass in the 17th century and mechanized heating and cooling in the late-19th and 20th, the relationship between architecture and nature has continually evolved to the point that architecture is now including or mimicking natural processes of decay and self-replication.
Over the course of the last century, the work of two architectural giants, Frank Lloyd Wright and Ludwig Mies van der Rohe, responded to nature in very different ways through their philosophies and approaches, influencing the work of other architects as well as builders and clients. Today’s architecture draws on the legacies of these groundbreakers, especially by integrating structures with the site, incorporating natural materials, or maximizing visual access to surrounding nature and the seasons.
Frank Lloyd Wright is often associated with a Prairie School of architecture characterized by horizontal lines and abstract geometries that purportedly harmonized with the Midwestern landscape and advanced an American style of design.
Jennifer Gray, vice president and director of the Taliesin Institute at the Frank Lloyd Wright Foundation, takes a closer look at this familiar story and explores how the myth of the prairie related to broad questions about colonization, immigration, and national identity that pervaded social and architectural discourse at the turn of the 20th century. This January 21 Zoom presentation is sponsored by Smithsonian Associates in collaboration with the National Trust for Historic Preservation’s Edith Farnsworth House. Designed and built between 1946 and 1951, the Edith Farnsworth House was as a weekend retreat for prominent Chicago nephrologist, musician, and poet, Dr. Edith Farnsworth, as a place to relax, entertain, and enjoy nature. It is recognized as an iconic masterpiece of the International Style of architecture and has National Historic Landmark status. The architect was Ludwig Mies van der Rohe, and this was his first and most significant domestic project in America. Located 58 miles southwest of Chicago, the glass and steel house is set within a natural landscape on a 62-acre parcel located along the Fox River. Learn more here. $20 for Smithsonian Associates members, $25 for nonmembers. Two additional sessions in February and March, on Mies van der Rohe and Beyond Sustainability, may be found at this link as well.
A view from across reflecting pool of the Avery Coonley House by Frank Lloyd Wright, 1906–09 (Avery Architectural & Fine Arts Library, Columbia University)
