The 18th century landscape is viewed by many as being the pinnacle of English garden design. From its early Arcadian experiments and passion for all things classical, through to the vast and minimal landscapes of Capability Brown and his contemporaries, the gardening century was brought to a close with conflicting appeals for rugged wildness and domestic prettiness.

In a new five part series sponsored by the Gardens Trust, Dr Laura Mayer will explore some of the themes and trends that emerged during the century, with a particular focus on the role of art, antiquity and architecture in shaping 18th landscape designs. The series is designed to pick up on themes and ideas not covered in any depth in last year’s introductory course on the History of Gardens – and so may appeal whether or not you joined us for the earlier series. The ticket for the entire series costs £35 for the 5 sessions, or you may purchase a ticket for individual sessions, costing £8. [Gardens Trust members £26.25 or £6 each]. To register through Eventbrite, click HERE. Attendees will be sent a Zoom link 2 days (and again a few hours) prior to the start of the first talk (If you do not receive this link, please contact us), and a link to the recorded session will be sent shortly after each session and will be available for 2 weeks.

The final episode of the series takes place November 18, on the Picturesque. The aesthetic category known as the Picturesque developed in the latter part of the eighteenth century. Defined by the artist and travel writer William Gilpin as ‘that peculiar kind of beauty which is agreeable in a picture’, it was equally applicable to art, architecture and even music. In the case of British landscape, the Picturesque aesthetes championed a Romantic appreciation for rugged and sublime topography. Gilpin’s guidebooks provided advice on how to paint picturesque scenery and promoted picturesque destinations such as the Lake District to a growing band of domestic tourists who had turned their back on the Grand Tour.

Through their writings, Sir Uvedale Price and Richard Payne Knight harnessed a growing disdain for the minimal landscapes of Brown and his contemporaries, instead encouraging Picturesque values of irregularity and wildness. This lecture grapples with the paradoxes inherent in a movement which championed unbridled naturalism through the artificial lens of taste, whilst recognizing the early role of the Picturesque writers in championing wilderness preservation.