Boston Flora

Saturday, May 31 – Submission Deadline for America the Beautiful Challenge Grant Photo Contest

Calling local photographers of all ages. Submit original photographs of the Massachusetts Coastal Pine Barrens for a chance to have your work featured at the Plymouth Public Library, win prizes courtesy of the Massachusetts Audubon Society and the South East Massachusetts Pine Barrens Alliance, and contribute to the documentation and conservation of our pine barrens. Submit Photos Online at https://bit.ly/4l9nctj. For more information see: THE CALL FOR PHOTOS—Locally-Found, Globally-Rare—Your Photographs of the Massachusetts Coastal Pine Barrens.

Sunday, May 25, 1:00 pm – 3:00 pm – Natural History Exploration

Join artist and journalist Will Close for this series of natural history explorations at the Millers River Environmental Center. In this Athol Bird & Nature Club workshop on May 25 you will get a chance to deepen your awareness and connection to the natural world through wildlife tracking and the use of nature journaling and field sketching. You will be guided through various foundational techniques designed to strengthen your observational skills. This workshop will be primarily held in the field. All experience levels are welcome.

Will Close is an artist, designer, educator, and wildlife tracker who specializes in the intersection of nature, art, design, and teaching. He holds a degree in Fine Art Painting from Massachusetts College of Art and Design and studied wildlife track and sign under Dan Gardoqui and Daniel Hansche. Currently, Will resides in Concord, Massachusetts where he maintains an artistic studio practice and is an outdoor education instructor with the Carroll School located in Lincoln, Massachusetts. His passion for nature illustration, tracking and sharing it with others, has taken him from the spruce forests of Maine to the Ecuadorian Amazon. Most recently, he was the inaugural artist in residence with North Country Land Trust in North Central Massachusetts. For more information visit www.atholbirdclub.org

Tuesday, May 20, 5:00 am – 6:30 am Eastern (but recorded) – Avant Gardening in the Twilight of a Millennium, Online

The Gardens Trust’s final series of A History of Gardens will consider developments of the recent past. Starting with the arrival of the sleek, functional style of Modernism after the first world war, the talks will move on to explore contemporary thinking on the challenges of conserving and restoring historic parks and gardens, the rise of ecological perennial planting, the reappearance of allusive gardens and how a garden’s ‘spirit of place’ can guide sustainable plans for the future.

Themes and exemplars in garden-making are more difficult to identify without the benefit of distance and time. But considering recent ideas and approaches is bound to bring a thought-provoking end to our History of Gardens. This ticket link is for the sixth series of 5 talks in our History of Gardens Course at £35 or you may purchase a ticket for individual talks, costing £8 via the links on the website. (Gardens Trust members £6 each or all 5 for £26.25). Ticket holders can join each session live and/or view a recording for up to 2 weeks afterwards. Ticket sales close 4 hours before the first talk.

Attendees will be sent a Zoom link 2 days (and again a few hours) prior to the start of the first talk (if you do not receive this link please contact us) and a link to the recorded session will be sent shortly after each session and will be available for 2 weeks.

Talk 4 on May 20 is Avant Gardening in the Twilight of a Millennium, with Patrick Eyres. Ian Hamilton Finlay (1925-2006) coined the term Avant-Gardening, to evoke the process of synthesising art and horticulture at Little Sparta. In the centenary of Finlay’s birth, Little Sparta will be the focus. The allusion and association of Avant-Gardening provides common ground with four other contemporary gardens. Fragility is a parallel theme. Little Sparta (Ian and Sue Finlay), The Garden of Cosmic Speculation (Charles and Maggie Jencks) and Prospect Cottage (Derek Jarman) have survived the death of their creators; the Garden of History (Jim Pierce) and the Driftwood Garden (Brian Yale) have not.

Dr Patrick Eyres is editor and publisher of the unique New Arcadian Journal, in which artists and writers explore the landscape garden. The 56th and penultimate edition is underway. He has also published in numerous other books and journals and taught in the School of Art and Design at Bradford Collage. He served on the boards of the Wentworth Castle Heritage Trust, Leeds Art Fund, Garden History Society and Little Sparta Trust. On behalf of The Gardens Trust, he set up and chaired for the first ten years the annual New Research Symposium in Garden History. He continues to advise on the conservation of Little Sparta.

Wednesday, May 21, 12:00 noon – 1:00 pm Eastern – RHS Chelsea Flower Show Gardens, Online

Join garden designers Nigel Dunnett and Tom Hoblyn for an exclusive insight into how they created their show gardens for this year’s RHS Chelsea Flower Show. The livestream will be available May 21 from noon – 1 Eastern, and will be available thereafter on demand. £10 Livestream. Register at www.gardenmuseum.org.uk

Nigel Dunnett is Professor of Planting Design and Urban Horticulture at the University of Sheffield, and a gold-medal winning designer and author. He is one of the world’s leading voices on innovative planting design and ecological horticulture. He’ll be talking about his remarkable sand dune garden which takes its inspiration from the coastal location of charity partner Hospitalfield Arts in Arbroath. The garden interprets this landscape through the eyes of an artist, and creates a dramatic, highly sculptural topography. At the heart of the garden is an outdoor artists’ studio. The planting is resilient and forward-looking, and is established in sand, provoking discussions about trends for planting in low-fertility mineral substrates rather than rich topsoils for climate-adaptation. The garden features a dune pool, which collects rainwater from the studio and the surrounding dunes.

Tom Hoblyn is a RHS Chelsea Flower Show veteran who has created the Hospice UK – Garden of Compassion at the show this week. The garden has been designed for patients and families at the end of life. Drawing from his deep connection to the Mediterranean landscapes he’s explored on plant hunting trips, Tom has crafted a garden that combines the grounding presence of natural stone with the calming effects of drought-tolerant plants. Tom has used materials from the North East of England (as the garden is being relocated to St Cuthbert’s Hospice in Durham after the Show) and he has worked with extraordinary artisans on the sculptural benches and water features, to make a garden that aims to support both the emotional and physical needs of those in hospice care.

Sunday, June 8, 10:00 am – 12:00 noon Eastern – Cottagecore: Peony Flower Arranging

Cottagecore is an aesthetic that celebrates simple living, inspired by the countryside-comes to life in this fun floral workshop. Using a soft defused color palette, you’ll practice the simple styling of peonies in a mason jar or other repurposed container. Learn how to successfully tape a grid, position the flowers, and select complementary floral materials. Learn the tips and tricks of the trade for keeping peonies looking fresh and long-lasting without chemicals or oasis foam. This online New York Botanical Garden class on June 8 is taught by Trish O’Sullivan, and is $140 for members, $155 for nonmembers. When registering, click on the materials list button. Registration closes today – last chance.

Thursday, May 29, 5:00 pm – 7:00 pm Eastern – Colored Pencil Techniques: Great Blue Heron, Online

Join artist Emma Brittain as she guides you in discovering the art of identifying subtle colors and enhancing the vibrancy of your drawings. In this class, participants will learn to use artist-grade colored pencils to sketch a great blue heron. The primary emphasis will be on refining colored pencil techniques and honing the ability to perceive the myriad of colors hidden within the feathers of a common bird. A sketchbook or drawing grade paper and 24 or more pack of Prismacolor brand colored pencils is recommended. $29. Register at https://mtcubacenter.org/event/colored-pencil-techniques-great-blue-heron-online/. Emma Brittain is a studio artist and planning committee member for Black Birders Week. Her art often involves social commentary with animal or plant symbolism. She hopes to spread wonder and hope through her work.

Tuesday, May 20, 6:00 pm – 7:00 pm Eastern – Introduction to Matrix Planting, Online

The Native Plant Trust will present a Zoom lecture with Meg Herndon on May 20 at 6 pm Eastern. Matrix planting originated in Germany after World War II, developed by urban planners seeking a simple, affordable, and low-maintenance way to restore nature and bring hope to war-torn cities. This technique uses small, densely planted species that grow together to form naturalistic “communities.” Researchers and city officials worked together to create this approach. Since then, garden designers and landscape architects in Europe and the US have embraced matrix planting for both its aesthetic appeal and its role in promoting biodiversity. Insights from German plant scientists and nursery owners, who have refined plant selection for sustainable, nature-inspired communities, are now sought after worldwide. Join us to explore the history of matrix planting and discover practical ways that developers, designers, and homeowners can apply these techniques to their own projects locally.

A recording of this class will be available to all registrants for two weeks after the class. $25. Register at www.nativeplanttrust.org. Image courtesy of Fine Gardening Magazine.

Wednesday, May 28, 1:00 pm – 2:30 pm Eastern – Gardens on Film: Risk and Reward

Historic parks and gardens play a frequent – and frequently tantalizing – role in films and on TV. Where is the 18th century landscape that forms the background to scenes in Bridgerton? Which English country estate serves as Paris for both James Bond and Sherlock Holmes? Is that really a world heritage site being flooded for a scene in The Secret Garden?

Join The Gardens Trust on Wednesdays in May for behind-the-scenes at some of the locations used in costume dramas, children’s adventures, murder mysteries and much else. We’ll hear from a location manager on choosing the right gardens for shoots and from a garden historian on films in her own county, as well as the experience of three major players who regularly manage film crews in their historic landscapes – the National Trust, the Royal Parks and English Heritage. This ticket costs £35 for the full series of five talks or you may purchase a ticket for individual talks, costing £8. To sign up, visit Eventbrite UK HERE. Ticket holders can join each session live and/or view a recording for up to 2 weeks afterwards. Attendees will be sent a Zoom link 2 days (and again a few hours) prior to the start of the first talk.

This May 28 talk will focus on how the members of the English Heritage venue hire team work with their gardens and landscapes specialists to protect spaces used for filming while encouraging filming hires across the portfolio of English Heritage sites. The session will look at some of the potential risks, approaches to mitigation – and the rewards attached to using historic gardens and landscapes in film. It will include case studies from some familiar film and TV series such as Bridgerton, Downton Abbey and The Crown.

Christina Pascoe is National Venue Hire Manager and Interim Commercial Development Team Lead at English Heritage. Christina and her team manage all hires at English Heritage from small scale photoshoots to large scale filming hires, events, concerts and weddings. Christina is also the founder and chair of the Heritage Filming Alliance, established in 2024 to support venues within the heritage and culture sector during the planning and delivery of filming hires and to support them in expanding their filming business. She is also a trustee of The Bowes Museum.

Sunday, June 15 – Application Deadline: 2025 New England Leopold Conservation Award

The Leopold Conservation Award Program recognizes and celebrates achievement in voluntary conservation by agricultural landowners. Sand County Foundation, our national sponsor American Farmland Trust, and conservation partners across the U.S. present the prestigious honor, which consists of $10,000 and a crystal award, in settings that showcase the landowners’ achievements among their peers.

The Leopold Conservation Award program widely shares the stories of these conservation-minded farmers, ranchers, and forestland owners to inspire countless other landowners to embrace opportunities to improve soil health, water resources and wildlife habitat on their working land. Finally, the program builds bridges between agriculture, government, environmental organizations, industry and academia to advance the cause of environmental improvement on private land. The New England award is presented in partnership with American Farmland Trust and the New England Forestry Foundation. The nomination deadline is June 15, 2025. Apply at https://sandcountyfoundation.org/our-work/leopold-conservation-award/application-info

Monday, May 19 – Deadline for Comments on Proposed Weakening of Endangered Species Act

Tim Johnson, CEO of the Native Plant Trust, has issued a statement and call to action on a proposal from the US Fish & Wildlife Service and the National Marine Fisheries Service, both institutions “under new management”, set forth below. Clicking on to to the Share Your Comments link brings you to the Federal Register site, and comments need not be lengthy or complicated, but the more people adding their objections to the bill, the better. Comments close on May 19, so take a moment now to support the environment:

In April, the US Fish & Wildlife Service and the National Marine Fisheries Service announced their intention to weaken the power of the Endangered Species Act by no longer recognizing the harmful effects of changing or destroying the habitat of endangered species. Those of us in the conservation community fear that such a change will mean that federal regulators will ignore the impact of habitat loss–the number one cause of species extinction–when considering mining, logging, and development on ecologically sensitive lands.
The Endangered Species Act was voted into law by Congress in 1973. It is designed to protect and conserve endangered and threatened species and their habitats so that these species can be spared from extinction. To state the obvious, a species cannot survive without its habitat. A forest cannot survive in a parking lot. Fish cannot survive in a drained pond. This change to the Endangered Species Act would be catastrophic for endangered species everywhere. Excluding damage to habitat when considering the impact of human activities on endangered species unravels the very fabric of the law and its intent.
At present, there are 944 species, varieties, and subspecies of plants on the endangered species list, including the globally rare Astragalus robbinsii var. jesupii (Jesup’s milk vetch) a species Native Plant Trust has worked hard to protect from climate change-induced habitat loss and flooding through seed banking, reintroduction, and invasive species control for more than 20 years. Without the habitat protection afforded this species through the Endangered Species Act, the habitat this species occupies could be destroyed. Without that habitat, Jesup’s milk vetch will go extinct in the wild. The same goes for hundreds of other species.
Your voice matters. I ask you to use it now on behalf of endangered species across the country. Sharing your opinion about this proposed change before the public comment period ends on May 19. Tell those in power that biodiversity matters to you and that you are paying attention to the plight of endangered and threatened plants and animals.

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