Mondays, March 21 – April 11, 2:00 pm – 3:30 pm – English Gardens in Pre-Revolutionary France, Online
The Gardens Trust presents a 4-part online lecture series exploring the Jardins Anglais with Gabriel Wick on Mondays @ 2 pm Eastern time starting 21 March, £5 each or all 4 for £16. Register through Eventbrite HERE. The late 1760s saw a number of French aristocrats remake their gardens ‘à la manière anglaise’, a naturalistic taste characterized by all the ‘bizarreness so dear to that nation’. The epidemic of Anglomanie that followed the Seven Years War produced some of the most extravagant landscapes of the age – meandering rivers, mysterious woods, rocky outcrops and cascades, false ruins, philosopher’s huts, all often confined within compact suburban sites. This series of four talks considers the evolution of the Jardin Anglais from its outlandish beginnings to the sublime and transporting realisations of the late 1780s. It considers what it meant for an aristocrat to remake his or her garden in the image of the national rival at a time of heightened patriotic sentiment? What sources inspired these compositions? And how was the English aesthetic adapted to suit French tastes, mentalities and mores? Attendees will be sent a Zoom link 2 days prior to the start of the first talk, which will be the same link throughout (If you do not receive this link please contact us), and a link to the recorded session will be sent shortly after each session and will be available for 1 week.
The first session on March 21 will cover The Duc de Chartres’ Monceau and the early Jardin Anglais. In his youth, Louis-Philippe d’Orléans, Duc de Chartres (the future Philippe-Égalité) disposed of one of France’s greatest fortunes, and a powerful taste for glory and public esteem. Frequently in disgrace at court, he positioned himself as one of the figureheads of the nascent opposition movement and was elected as the leader of the French freemasons. His extravagance and iconoclasm crystalized in Paris’s most famed Jardin Anglais of the 1770s, Monceau, a veritable cirque in the hinterland of the city. Here, against a backdrop of ‘all places and all times’, Chartres and his circle took their pleasures under the very gaze of the Parisian public, who gathered on the opposite banks of the ha-ha and delighted in the wild and ever-changing spectacle. Although a fragment of Monceau survives today as a public park, it is a shadow of its former self. Fortunately we can wander the garden in its heyday thanks to the 18 engravings and descriptive text realized by its designer Carmontelle, Le Jardin de Monceau of 1779.
