Wednesdays, March 12 & 16, 5:30 pm – 7:30 pm – Marine Debris Art Workshops

Join artist Sarah Thornington to make your own marine-debris creations at the Center for Coastal Studies, Larking Hall, 5 Holway Avenue in Provincetown.

Learn a little about sea jellies and/or North Atlantic right whales, climate change and ways you can help protect this beautiful planet of ours while creating your own piece of marine-debris art.

These FREE programs are thanks to generous support from the Provincetown Cultural Council, Mass Cultural Council and the Center for Coastal Studies. No experience necessary and all supplies will be provided – though feel free to bring your own beach finds if you’d like.

Wednesday, March 12th 5:30 – 7:30pm, North Atlantic right whales

Wednesday, March 26th, 5:30-7:30pm, sea jellies

Limited spaces available, sign-ups are required by emailing Sarah at EbbtheTide@gmail.com. Be sure to include your cell number and which program(s) you’d like to sign up for.

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Friday, March 7, 7:00 pm Eastern – Forests, Fish, and a Botanist’s Excursion Into Riverine & New Ocean Habitat Restoration, Online

Don Hudson’s interest in mountain plants and ecology in the early 1970s led to a career in environmental and conservation education at the Chewonki Foundation in Maine. The U.S. Fish & Wildlife Service invited Don and his colleagues in 1992 to assist with a landscape-scale project to promote greater public awareness of and appreciation for the watershed of the Gulf of Maine. Three decades later, Don continues to work on projects that restore connectivity between mountain and forest ecosystems and ecosystems of the near ocean.

This Zoom presentation on March 7 at 7 pm Eastern is presented by the New England Botanical Society. Non-members may register for the meeting access link here.

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Friday, March 7 – Sunday, March 9 – The Vermont Flower Show: A Story of Gardening

Join The Vermont Nursery and Landscape Association at the 2025 Vermont Flower Show at the Champlain Valley Expo in Essex Junction, Vermont on March 7 – 9 as we celebrate and recreate gardening through the ages and discover how we as humans learn from the past as we cultivate our own gardens and plant for the future.  At this year’s show you will stroll through fields of tulips, experience an English Cottage Garden and Tea House Garden.   You will take a walk back in time through Medieval, Islamic and Victory gardens.  As we look toward spring and planning our own gardens, no matter how small or large, the 2025 Vermont Flower Show is sure to inspire your own style of gardening.  Tickets are available at https://vnlavt.org/vermont-flower-show/

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Thursday, March 13, 7:00 pm Eastern – Horticultural Heroes: Black Faces, White Spaces, Online

This New England Botanic Garden free webinar on March 13 at 7 pm Eastern is in celebration of Black History Month and Women’s History. The Speaker Series at New England Botanic Garden features a dynamic range of authors, experts, and thought leaders sharing their insights on topics such as horticulture, gardening, conservation, and environmental sustainability. These engaging talks and lectures offer valuable knowledge for both seasoned gardening enthusiasts and those new to the world of plants and ecologically-minded horticulture. Each event provides an opportunity to learn from leading voices in the field and connect with a community of individuals passionate about the natural world. Register at https://nebg.org/speakers-series/

Storyteller, author, and cultural geographer Carolyn Finney discusses her book, Black Faces, White Spaces: Reimagining the Relationship of African Americans in the Great Outdoors.

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Wednesday, March 5, 6:30 pm – 7:30 pm Eastern – Seed Starting & Growing From Seed, Online

Growing plants from seed is a rewarding and cost-effective way to cultivate a diverse and healthy garden. Whether you’re starting vegetables, herbs, or ornamental flowers, understanding the basics and techniques will make all the difference in your success. 
In this Massachusetts Horticultural Society virtual lecture on March 5, we will cover everything you need to know to get started, including choosing the right seeds, creating an ideal growing environment, and selecting the correct materials and supplies. We will discuss ways to develop a timeline for germination and transplanting, ensuring your seedlings are strong and ready for the season. Whether you’re brand new to seed starting or looking to refine your process, this lecture will provide practical tips, DIY solutions, and the knowledge to help you grow with confidence.

This lecture will be recorded and sent to registrants following the class date. Instructor Gretel Anspach is a retired systems engineer for Raytheon. She is a trustee of Massachusetts Horticultural Society and a lifetime master gardener with MMGA. Gretel enjoys the elements of science & math involved in horticulture. For nine years she oversaw the Food Pantry Garden at Raytheon. In 2016 she won the MMGA Lifetime Achievement award. Gretel has gone on to establish and maintain a 20,000 square foot food production garden that has provided fresh produce to the Marlboro and Maynard Food Pantries for the last fourteen years. MHS members $26, nonmembers $32. Register HERE.

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Thursday, March 13, 6:30 pm – 8:00 pm Eastern – Reclaiming the Edith Farnsworth House, Live and Online

This is the third program in the Morven Museum’s 2025 Grand Homes and Gardens Speaker Series, The Quality of Doing: Mid-Century Modern Grand Homes & Gardens, featuring four scholars who will look at the work of Mid-Century Modern architects and designers through the lens of landmark homes and gardens across the United States. Learn more about the series and purchase series tickets.

A careful balance of humanity, art, and nature, the iconic Edith Farnsworth House was built as a weekend retreat for its namesake, prominent Chicago nephrologist, musician, and poet Dr. Edith Farnsworth. The house was the first domestic project in America for architect Ludwig Mies van der Rohe and would serve as a pivotal moment for his long career. This talk with Nora Wendl, Associate Professor of Architecture at the University of New Mexico, will examine the design influence and direction of Dr. Farnsworth in artistic and professional partnership with van der Rohe, drawing from her forthcoming book Almost Nothing: Reclaiming Edith Farnsworth (University of Illinois Press, publication date May 20, 2025). 

All talks begin at 6:30 p.m. in Morven’s Stockton Education Center. Doors and the virtual waiting room open at 6:00 p.m. A Zoom link will be sent to all virtual participants upon registration. Light refreshments inspired by each site will be provided for in-person attendees. Please note our speaker will be joining this program via Zoom and streamed live for our in-person audience in the Stockton Education Center.

Nora Wendl is a writer, artist and educator who uses disciplinary strategies drawn equally from literature, visual art, historiography and architecture to amplify overlooked or suppressed narratives within the built and unbuilt environment. She holds the position of Associate Professor of Architecture at the University of New Mexico.

She has also held residencies at Jack Straw and Coast Time, and has exhibited and lectured widely, including at the School of the Art Institute of Chicago, the Venice Biennale, and TU Delft (Netherlands). She is at work on a book that revises the history of the Dr. Edith Farnsworth House (Plano, Illinois, Mies van der Rohe, 1951) through an embodied, feminist lens, as well as an exhibition that reflects on her engagement with the artifacts of this history. Toward this end, she has workshopped the book at Tin House (Portland, Oregon, 2017), and has exhibited the visual component of it at Albuquerque-based galleries Central Features Contemporary Art and Sanitary Tortilla Factory in 2018—most notably in the exhibition Beautiful Test Sites/Now I am become death with artist Mitchell Squire.

Wendl is co-author of Ave Maria (Savannah: A-B Editions, 2016), with photographer Rylan Steele, with whom she was named a finalist for the 2015 Lange-Taylor Prize from the Duke University Center for Documentary Studies. Wendl is also co-editor of Contemporary Art About Architecture: A Strange Utility (Ashgate, 2013) with Dr. Isabelle Loring Wallace. She is published in 306090, Architecture and Culture, Forty-Five, Journal of Architectural Education, Offramp, On Site: Review, Studies in the History of Gardens and Designed Landscapes, and Thresholds.

This program is sponsored by Mrs. G Appliances. The 2025 Grand Homes and Gardens series is sponsored by Bryn Mawr Trust.

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Saturday, April 12, 11:00 am – 3:00 pm – Boston Parks & Recreation’s Duck Boat Pull

Get ready for an unforgettable challenge at the Boston Parks and Recreation’s First Annual Duck-Boat-Pull —a brand-new event taking place in the heart of the Boston Common on Saturday, April 12, where teams of 10 will race against the clock to pull a 21,000-pound duck boat across a designated course. Think you’ve got what it takes to out-pull the competition?

This exciting event isn’t just about muscle—every pull you make directly benefits local youth sports and fitness programs that keep our kids active, healthy, and thriving. All proceeds go toward funding essential sports leagues, tournaments, and fitness initiatives managed by the Boston Parks and Recreation Department for all of Boston’s youth.

This event is in partnership with the Boston Duck Tours. The event is free to watch, and teams of ten will pay $1,000 in support of Boston’s Youth Sports. To sign up contact Tiffany Clark at 617-233-2305, or send an email.

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Wednesday, March 19, 2:00 pm – 3:30 pm Eastern – Artists’ Gardens: Monet at Giverny, Online

Plants and gardens have long served as a creative inspiration for artists. They are places of color, structure and changing light, representations of memories and emotions, expressions of the cycle of life and the passing of time. When the garden is one created by the artist themself, the scope for exploration and engagement intensifies and, whether garden-lover or art-lover, we are drawn in to their stories and meanings. In this four-part series, The Gardens Trust will explore a range of gardens created and celebrated by their artist owners. Attendees will be sent a Zoom link 2 days prior to the start of the talk, and again a few hours before the talk. A link to the recorded session (available for 2 weeks) will be sent shortly afterwards. Register through Eventbrite HERE.

The first session takes place March 19. In 1883 the painter Claude Monet moved into a new home, Le Pressoir in Giverny. Below the house he created gardens whose colours vibrantly or contemplatively evolved under the Normandy skies. Initially he painted the rural motifs of the poplars and grain stacks and then, until his death in 1926, he devoted himself to the floral canvas of his own making. Botanically and horticulturally skilled, Monet grew the latest in irises and water lilies, watching them as the day reflected its course in their shapes, moments captured for eternity in over 500 paintings. The landscapes of Japanese ukiyo-e (floating world) woodblock prints fed into Monet’s sense of perspective and use of plants. The meticulous restoration of Giverny in the 1970s provides the canvas to explore the man, his paintings and his gardens. We will also briefly compare these gardens with Le Jardin Monet Marmottan in Japan.

Caroline Holmes is a University of Cambridge ICE Academic Tutor and Course Director; has lectured in the UK, Australia, New Zealand, USA, Europe and Japan as well as for cruises crossing the Baltic, Caribbean, Mediterranean and Red Seas, and the Atlantic and Indian Oceans. Author of 12 books including Monet at Giverny, Water Lilies and Bory Latour-Marliac, the genius behind Monet’s water lilies; and Impressionists in their Gardens, she is a consultant designer specialising in evoking historic, artistic and symbolic references, and contributes to Viking TV. Her website is https://horti-history.com

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Tuesday, March 11, 6:00 am – 7:30 am Eastern (but recorded) – William Robinson: The Horticultural John Ruskin

The Arts and Crafts Movement sought a return to vernacular traditions in the face of increasing industrialization. It thrived for two decades or so around the turn of the twentieth century, although its effect is still obvious today in many decorative arts. In the garden, the movement was most clearly articulated through the work of William Robinson (1838-1935) and Gertrude Jekyll (1843-1932). Their example was followed by a plethora of British architects and designers into the middle of the 20th century and beyond, and their influence spread to Europe, the US and further afield. What we today identify as Arts and Crafts gardens are perhaps typified by a geometric layout of compartments in close relationship with the house, alongside the use of architectural features in local materials and abundant, color-themed planting.

In this series, we will examine the origins of the Arts and Crafts garden, consider the work of Robinson and Jekyll in detail, and survey some of the many other British garden-makers who were influenced by the movement. The series will end with an international flavor, exploring the work of an American designer who was a life-long admirer of Robinson and Jekyll.

This ticket is for this individual talk (Click HERE) costs £8, and you may purchase tickets for other individual sessions, or you may purchase a ticket for the entire fifth series of 5 talks in our History of Gardens Course at £35 via the link here. (Gardens Trust members £6 each or all 5 for £26.25). Ticket holders can join each session live and/or view a recording for up to 2 weeks afterwards. Ticket sales close 4 hours before the talk.

Attendees will be sent a Zoom link 2 days prior to the start of the talk, and again a few hours before the talk (If you do not receive this link, please contact us). A link to the recorded session will be sent shortly after each session and will be available for 2 weeks.

Talk 2 is entitled William Robinson: The Horticultural John Ruskin. Born in Ireland, Robinson moved at the age of 23 to work in the Royal Botanic Society’s Garden in Regent’s Park, then on the edge of London. A great admirer of, and later correspondent with, Ruskin, he drew a direct analogy between the ‘bedding system’ which he hated, and Ruskin’s description of the industrial world. In his talk, Richard will outline Robinson’s gardening and prolific writing career and discuss the ways in which he hoped to improve the lives of the poorer members of society, becoming, as a 1931 Country Life article declared, ‘England’s greatest gardener’.

Richard Bisgrove has degree in Horticultural Science and Landscape Architecture. As a lecturer in horticulture and landscape management at Reading University his main research interests were the management of species rich grasslands (the flowery mead!) and garden history, with particular emphasis on Gertrude Jekyll and William Robinson. He was for many years a member of the Council and Conservation Committee of the Garden History Society and of the Gardens Panel of the National Trust. His publications include The Gardens of Gertrude Jekyll (Frances Lincoln, 1992; University of California Press 2000) and William Robinson: the wild gardener (Frances Lincoln, 2008).

Image: Gravetye Manor, William Robinson’s house and main terrace, photo ©Richard Bisgrove

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