Boston Flora

Tag: follies

  • Tuesday, November 4, 5:00 am – 6:30 am Eastern (but recorded) – Garden Buildings, Grottoes and Entertainment al Fresco

    The 18th century landscape is viewed by many as being the pinnacle of English garden design. From its early Arcadian experiments and passion for all things classical, through to the vast and minimal landscapes of Capability Brown and his contemporaries, the gardening century was brought to a close with conflicting appeals for rugged wildness and domestic prettiness.

    In a new five part series sponsored by the Gardens Trust, Dr Laura Mayer will explore some of the themes and trends that emerged during the century, with a particular focus on the role of art, antiquity and architecture in shaping 18th landscape designs. The series is designed to pick up on themes and ideas not covered in any depth in last year’s introductory course on the History of Gardens – and so may appeal whether or not you joined us for the earlier series. The ticket for the entire series costs £35 for the 5 sessions, or you may purchase a ticket for individual sessions, costing £8. [Gardens Trust members £26.25 or £6 each]. To register through Eventbrite, click HERE. Attendees will be sent a Zoom link 2 days (and again a few hours) prior to the start of the first talk (If you do not receive this link, please contact us), and a link to the recorded session will be sent shortly after each session and will be available for 2 weeks.

    Week Three on November 4 covers Garden Buildings, Grottoes and Entertainment al Fresco. For all its aesthetic ideals and painterly compositions, the English landscape garden was ultimately intended for recreation. Follies, tea temples and other small-scale garden buildings encouraged architectural experimentation, whilst practically supplying shelter and shade for picnics and an exciting destination for drinking and dining.

    Set apart from the country house, hermitages and classical pavilions provided privacy, seclusion and a sense of retreat within the landscape, encouraging study and quiet contemplation. At night, shadowy grottoes were illuminated by candlelight, and fireworks launched – often disastrously – from lodges or other purpose-built structures.

    This lecture explores the role of architectural features within eighteenth-century garden design and considers how they were used and enjoyed in all weathers and throughout the seasons.

  • Wednesday, May 3, 2:00 pm Eastern – A Celebration of Play in the Landscape: Follies

    This Gardens Trust online series of four lectures considers aspects of play and playfulness within the landscape and garden. For children, play is the life’s work. We all want to discover what’s new and explore what’s out of sight. We should never lose this sense of revelry. Families that play together come away walking tall and feeling better about themselves and each other. In the spirit, let us celebrate the importance and life-affirming joy of play. Attendees will be sent a Zoom link 2 days prior to the start of the talk, and again a few hours before the talk (If you do not receive this link please contact us). A link to the recorded session will be sent shortly after each session and will be available for 1 week. This ticket link is for this May 3 individual session on Follies and costs £5: www.thegardenstrust.org

    Follies are structures, buildings, towers, underground chambers or astonishing creations that are ‘utterly useless’, in the sense of having no practical use. If they have a practical function, strictly speaking they are not follies. Some are classically elegant, others completely bizarre. They uphold uncompromising beauty and, on their own terms, perfection.

    These wondrous constructions invite our imaginations to soar. They are sophisticated acts of defiance against a world of harsh reality and mindless speed. Follies provide a timeless oasis, a leisurely paradise, and the substance of a dream.

    Adrian Fisher MBE is the world’s leading creator of mazes of all kinds, full of challenges, discovery and fun. For 44 years he has been transforming the traditional art of getting lost into state-of-the-art adventures, each with a compelling narrative and storyline. He and his wife Marie live in the village of the Durweston in Dorset. Their garden contains his GEOMITICA art, and a hedge maze with a folly tower, mirrored chamber, spiral staircase and battlements.

    He is the author of a whole shelf of books about mazes while his website www.mazemaker explains much more about his work.

  • Through January 5, 2020 – Follies: Architectural Whimsy in the Garden

    Sometimes an event is taking place out of our area which demands a field trip, and this Winterthur Museum, Garden & Library exhibit is one of them. Escape into the imaginative world of garden follies, Winterthur’s first-ever exhibition of whimsical and classic garden structures. Thirteen fantastic structures await discovery and exploration—from a Gothic-inspired tower, an Ottoman tent, and neoclassical follies to a Chinese pavilion, American summerhouses, an enchanting faerie cottage, and creative contemporary follies—all set within Henry Francis du Pont’s majestic garden. Whether by foot or tram, plan for outdoor adventure with a twist of fun.

    Follies are architectural constructions, often extravagant or picturesque, positioned within the landscape to amuse, frame a view, or pique your curiosity. You may have seen follies at other estates or in television shows or movies, such as Downton Abbey or Brideshead Revisited. Henry Francis du Pont, who developed Winterthur’s expansive gardens from 1902 to 1969, was familiar with follies throughout America and Europe and incorporated several into his own garden plans.

    Needle’s Eye—Inspired by a folly constructed in the 18th century in Yorkshire, England, the Needle’s Eye floats on a pond adjacent to Winterthur’s main drive, creating reflections in the water and capturing visitors’ interest as they enter the estate.

    Neoclassical Folly—Modeled after the portico, or entrance, to a Greek temple or public building, this is and is a common design in garden architecture. The formality of the structure contrasts sharply with Winterthur’s meadow surrounding it.

    Mirrored Folly—This mirror-clad building reflects the surrounding Pinetum and is inspired by the porte cochère (covered entrance) of Winterthur’s historic train station.

    Ottoman Tent—An interpretation of a Turkish tent, reflecting the fashion for tents and other decorative arts inspired by the Ottoman Empire, this folly is similar to examples of 18th-century exotic tents can be seen in England, France, and Northern Europe, preserved in museums and gardens.

    Gothic Tower—A Gothic-inspired folly that is similar to the towers, sham castles, and fake ruins, these were very popular in European landscapes in the 1700s and 1800s. These towers would be highly visible and would give a sense of age and importance to the property.

    Chinese Pavilion—This structure is inspired by the Chinese House at Stowe Landscape Garden in Buckinghamshire, England. Stowe’s Chinese House is an example of the 18th-century fascination with Chinese objects and ornament. The illustrations on the exterior of Winterthur’s Chinese Pavilion are selections taken from the wallpaper in the Chinese Parlor, which visitors can see on a tour of the house.

    Green Folly—Constructed using Winterthur tree trunks, beech twig thatching, and other woodland embellishments, this folly features plant materials from the Winterthur estate and was designed to reflect the spirit of the garden.

    Latimeria Summerhouse—Set in Winterthur’s Peony Garden, this pagoda-topped gazebo was saved from destruction by Henry Francis du Pont from the Latimeria estate in Wilmington and installed in the garden in 1929.

    Umbrella Seat and Pagoda Gate—Also from Latimeria, these charming objects greet visitors as they enter the garden from the path from the Visitor Center.

    1750 House—Henry Francis du Pont relocated the façade of a historic house from New Castle, Delaware, to Winterthur in the 1960s. The structure presides over the Conservatory lawn and borders Azalea Woods.

    Brick Lookout—This little building is an example of how Henry Francis du Pont repurposed architectural elements. It once served as a shed at the entrance court for the museum in the 1940s and 1950s. When a new brick folly was built in the 1960s and placed on Sycamore Hill, the shed’s tin roof and cast iron eagle were moved to cap the structure.

    Bristol Summerhouse—Located atop Sycamore Hill and presenting sweeping vistas of the property, this summerhouse was re-created by Henry Francis du Pont in the 1960s based on a structure he had seen at The Lindens in Bristol, Rhode Island.

    Faerie Cottage—This folly is constructed with repurposed items from the estate, including iron and stone elements from earlier gardens. The Faerie Cottage is located in Enchanted Woods, a unique children’s garden created for children of all ages to enjoy and explore.

    Get your Follies! Details at 800.448.3883 or purchase tickets online.  Special group rates are available. The exhibit is presented by Dupont and The Estate of Mrs. Samuel M.V.  Hamilton. More information, including a video, may be found at www.winterthur.org.

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