Tag: Gertrude Jekyll

  • Tuesday, March 25, 6:00 am – 7:30 am (but recorded) – More Arts and Crafts Garden-Makers, Online

    The Arts and Crafts Movement sought a return to vernacular traditions in the face of increasing industrialization. It thrived for two decades or so around the turn of the twentieth century, although its effect is still obvious today in many decorative arts. In the garden, the movement was most clearly articulated through the work of William Robinson (1838-1935) and Gertrude Jekyll (1843-1932). Their example was followed by a plethora of British architects and designers into the middle of the 20th century and beyond, and their influence spread to Europe, the US and further afield. What we today identify as Arts and Crafts gardens are perhaps typified by a geometric layout of compartments in close relationship with the house, alongside the use of architectural features in local materials and abundant, color-themed planting.

    In this series, we will examine the origins of the Arts and Crafts garden, consider the work of Robinson and Jekyll in detail, and survey some of the many other British garden-makers who were influenced by the movement. The series will end with an international flavor, exploring the work of an American designer who was a life-long admirer of Robinson and Jekyll.

    This ticket is for this individual talk (Click HERE) costs £8, and you may purchase tickets for other individual sessions, or you may purchase a ticket for the entire fifth series of 5 talks in our History of Gardens Course at £35 via the link here. (Gardens Trust members £6 each or all 5 for £26.25). Ticket holders can join each session live and/or view a recording for up to 2 weeks afterwards. Ticket sales close 4 hours before the talk.

    Attendees will be sent a Zoom link 2 days prior to the start of the talk, and again a few hours before the talk (If you do not receive this link, please contact us). A link to the recorded session will be sent shortly after each session and will be available for 2 weeks.

    Talk Four will take place March 25 with Jill Sinclair. Gertrude Jekyll described herself as working with a small band of contemporaries on ‘the revival of the right principles of garden design in England.’ So popular did these principles become that the small band became a multitude, seeking to emulate Jekyll’s approach and to create gardens in what is now often known as an Arts and Crafts style.

    This talk will survey some of the most successful of these professional designers – from those early contemporaries of Jekyll such as H. Avray Tipping and Harold Peto – through to later figures including Norah Lindsay and Kitty Lloyd Jones. We’ll also examine the work of homeowners who poured a lifetime’s amateur devotion into a single plot. The talk will include gardens from across the UK and further afield, starting with those created in the 1880s and running into the 1950s. We’ll consider how far the chosen garden-makers followed the original precepts of the Arts and Crafts movement and why the appeal of this style of garden-making endures so strongly even today.

    Jill Sinclair is a US-trained garden historian. She teaches garden history for Oxford University and is a trustee of the Gardens Trust, managing its extensive education and training program. Based in Sheffield, Jill is working with a local charity to restore an Arts and Crafts garden designed by Percy Cane in the 1920s.

    Image: Easton Lodge, designed by Harold Peto, from Gardens Old and New (1900), Wikimedia Commons, public domain

  • Tuesday, March 18, 6:00 am – 7:30 am Eastern (but recorded) – Gertrude Jekyll: Artist, Gardener, Craftswoman

    The Arts and Crafts Movement sought a return to vernacular traditions in the face of increasing industrialization. It thrived for two decades or so around the turn of the twentieth century, although its effect is still obvious today in many decorative arts. In the garden, the movement was most clearly articulated through the work of William Robinson (1838-1935) and Gertrude Jekyll (1843-1932). Their example was followed by a plethora of British architects and designers into the middle of the 20th century and beyond, and their influence spread to Europe, the US and further afield. What we today identify as Arts and Crafts gardens are perhaps typified by a geometric layout of compartments in close relationship with the house, alongside the use of architectural features in local materials and abundant, color-themed planting.

    In this series, we will examine the origins of the Arts and Crafts garden, consider the work of Robinson and Jekyll in detail, and survey some of the many other British garden-makers who were influenced by the movement. The series will end with an international flavor, exploring the work of an American designer who was a life-long admirer of Robinson and Jekyll.

    This ticket is for this individual talk (Click HERE) costs £8, and you may purchase tickets for other individual sessions, or you may purchase a ticket for the entire fifth series of 5 talks in our History of Gardens Course at £35 via the link here. (Gardens Trust members £6 each or all 5 for £26.25). Ticket holders can join each session live and/or view a recording for up to 2 weeks afterwards. Ticket sales close 4 hours before the talk.

    Attendees will be sent a Zoom link 2 days prior to the start of the talk, and again a few hours before the talk (If you do not receive this link, please contact us). A link to the recorded session will be sent shortly after each session and will be available for 2 weeks.

    Talk 3 takes place March 18 with Dr. Caroline Ikin. Gertrude Jekyll has been described as a ‘one-woman Arts and Crafts Movement’, her contribution spanning the decorative arts as well as gardening. Her approach was founded on an appreciation of local tradition, vernacular architecture, hand-making and floral beauty, and was informed by the works of Ruskin. Jekyll is celebrated for her garden designs, plant breeding and particular brand of ‘artist-gardening’ which she expounded in her many books and articles, but she was also a skilled artist, maker and designer. This talk will focus on Jekyll’s garden at Munstead Wood where her arts and crafts ethos achieved full expression, and will also explore her activities in decorative art, conservation and collecting.

    Dr Caroline Ikin is a Curator at the National Trust covering Munstead Wood, Standen and Nymans. She has previously worked in museums and for the Gardens Trust and her research interest is in nineteenth century art, architecture and gardens. She is author of The Victorian Garden (Shire Library, 2012), The Victorian Gardener (Shire Library, 2014), The Kitchen Garden (Amberly Publishing, 2017) and has written for the Oxford Dictionary of National Biography, Garden History, Furniture History, Museums Journal and various other publications, and is now working on a new book on Victorian Gardens. She was awarded the Mavis Batey Essay Prize in 2022.

    Image: below detail, Michaelmas daisies, Munstead Wood, from George S. Elwood and Gertrude Jekyll, Some English Gardens (1904), Biodiversity Heritage Library, public domain

  • Explore Munstead Wood, Online

    Take a video tour on YouTube of garden designer Gertrude Jekyll’s former home in Surrey with Head Gardener Annabell Watts.

    Munstead Wood was acquired by the National Trust in April 2023. Its garden was originally created by Jekyll in the 1880s with vibrant flowers, intricate footpaths and Victorian greenhouses. The design of this garden was ahead of its time due to the meticulously chosen architectural plants and color schemes. 

    Jekyll also worked with architect Sir Edwin Lutyens to build a house that could also be her workplace. Designed to look as if it rose from the ground, the house was completed with a dark room, workshop and flower shop to support Jekyll’s work. 

    (Note: Munstead Wood is not open to the public currently.) 

    WATCH NOW

  • Wednesday, September 27, 2:00 pm Eastern – Munstead Wood: Gertrude Jekyll’s Home and Garden, Online

    In June 2023, the National Trust in the UK announced the new acquisition of a Grade I listed house and garden—Gertrude Jekyll’s home and garden, Munstead Wood. Gertrude Jekyll was one of the most important garden designers of the early 20th century, a prolific writer, and skilled businesswoman. She often collaborated with architect Sir Edwin Lutyens and both worked on Jekyll’s own home in Surrey. Jekyll lived at Munstead Wood from the 1890s until her death in 1932. During that time, she created a woodland garden and designed seasonal gardens, such as the Spring Garden, the Hidden Garden, the June Garden, and the 200-foot-long colorful herbaceous border. Jekyll once spoke of Munstead Wood “My garden is my workshop, my private study, and a place of rest.” 

    Landscape historian and author Judith Tankard will discuss Jekyll’s home and garden, and talk about the designer’s theories on color, planting and design. She will show some of Jekyll’s own photographs and scrapbooks to demonstrate Jekyll‘s lasting influence on garden design. Andy Jasper, Head of Gardens at the National Trust, created a video for Royal Oak Foundation members to explain the upcoming restoration plans and Munstead Wood’s opening to the public. Ms. Tankard is a member of The Garden Club of the Back Bay.
    Watch LIVE on Wednesday, September 27 at 2:00 p.m. (ET) or RENT the recording!
    $15 Royal Oak members; $25 non-members
    LIVERENTAL
  • Thursday, November 17 – The 19th Century Garden: The Talented Miss Jekyll (1843-1932), Online

    Now known mainly as a garden designer and plantswoman, Gertrude Jekyll combined creativity and mastery of many crafts. She was described as a ‘pioneer spirit’. Jekyll trained at the School of Art in South Kensington, where she showed talent in painting, metalwork and embroidery. As a true Arts and Crafts practitioner, she studied and mastered every craft thoroughly.

    In 1884 she acquired 15 acres of land in Munstead, Surrey where she would build her home and used the garden as a trial ground, experimenting, extending her knowledge of plants and breeding her own improved varieties. The plant nursery followed, from which she was able to supply plants for her clients.

    Jekyll was a keen photographer and wrote many books and articles for Country Life and other gardening magazines. She was involved with some 400 garden commissions for clients in America, Europe and the UK. Her legacy continues to this day.

    Cherrill Sands is a garden historian with an MA in the Conservation of Gardens, Landscapes & Parks from the Architectural Association, London. She is the Historical Consultant for Painshill in Surrey and is currently acting curator of the archives. Cherrill is a former Chair of Surrey Gardens Trust and is on the Research and Recording team. As a freelance speaker Cherrill presents talks throughout the UK and abroad on garden history and theatre.

    This ticket is for this individual session and costs £5 – register on Eventbrite HERE. Attendees will be sent a Zoom link 2 days prior to the start of the talk, and again a few hours before the talk. A link to the recorded session (available for 1 week) will be sent shortly afterwards.

  • Monday, October 17, 2:00 pm – 3:30 pm – The Fabric of Flowers: Gardening with Silk and Gold Thread, Online

    The talk is part of a 6-part Gardens Trust online lecture series, exploring how flowers and gardens have inspired textile artists, begins Mondays at 18:00 BST, equivalent to 2 pm Eastern time. Here in their latest series of talks they are taking a sideways view by exploring how gardens and flowers have influenced and inspired other arts and crafts. This first series of 6 will focus on textiles and explore some of the historical and technical aspects of embroidering, weaving and printing using floral designs on fabric. You will look at textiles from Elizabethan crowns to Edwardian table linen to see how flowers provided inspiration, taking in the prolific art embroiderers of the Arts and Crafts Movement. Then you will be brought bang up to date with two contemporary embroiderers with very different approaches to floral imagery who will share their design processes with us.

    The development of the English cottage garden in the hands of the Irish horticulturalist and journalist William Robinson (1838-1935) had a marked effect on the textile arts during the final decades of the nineteenth century. His revolutionary approach was reflected in the choice of botanical imagery featured in the work of many Arts and Crafts designers, including two of the leading exponents of art embroidery: Gertrude Jekyll (1843-1932) and May Morris (1862-1938).

    Jekyll’s reputation as an artist and craftswoman has been eclipsed by her contribution to garden history. Few of her admirers today are aware that her skills as an interior designer were much sought after by the Victorian elite. In 1874, she was commissioned by the Royal School of Needlework to design a suite of sixteen wall hangings, twelve of which have recently come to light, for the great drawing room at Eaton Hall in Cheshire, home of the Duke of Westminster (1825-1899). Jekyll’s elaborate, floriated pattern reveals her indebtedness to the designer Christopher Dresser (1834-1904), with whom she studied botanical drawing and ornament at the National Art Training School in South Kensington.

    A constant theme in the work of May Morris is her love of English meadow plants and cottage garden flowers. Throughout her life, she made detailed studies of plant life to familiarize herself ‘with all the possible peculiarities and diversities of such things.’ But like many other writers on art embroidery, she recognized that the designer’s work ‘should merely recall nature, not absolutely copy it’ (Decorative Needlework, 1893). Morris’s approach to conventional design will be examined through her work for the embroidery department at Morris & Co. and her special commissions and gifts for family and friends.

    This ticket (purchase HERE) is for this individual session and costs £5, and you may purchase tickets for other individual sessions, or you may purchase a ticket for the entire course of 6 sessions at a cost of £24 via the link here.

    Attendees will be sent a Zoom link 2 days prior to the start of the talk, and again a few hours before the talk. A link to the recorded session (available for 1 week) will be sent shortly afterwards.

    Former Archivist at the Royal School of Needlework, Dr Lynn Hulse is a Fellow of both the Royal Historical Society and the Society of Antiquaries of London. She is also co-founder of Ornamental Embroidery, which specialises in the teaching and designing of historic hand stitch through workshops in museums, art galleries and historic houses across the UK. Recent exhibitions include The Needle’s Excellency: contemporary raised work at the Ashmolean Museum, Oxford (2017) and the Knitting and Stitching Show (2018), and The Needle’s Art: contemporary hand embroidery inspired by an early Tudor pattern book at the Bodleian Library, Oxford (2021-2022). Lynn has published widely on the development of art embroidery and is the editor of May Morris: Art and Life (2017), long listed for the 2018 William M. B. Berger prize in British Art History, and The Needle’s Excellency: English raised embroidery (2108). She is currently completing a book on Lady Victoria Welby and the founding of the Royal School of Needlework, which celebrates its 150th anniversary this year.

  • Wednesday, January 5, 1:00 pm – 2:30 pm Eastern – The Gardens at Walmer Castle, Online

    We know this lecture is today, but if you sign up you may access it for a full week following. This lecture is organized by The Gardens Trust in partnership with Kent Gardens Trust and is the first of a four week series on Wednesdays. The price is £5 each or all 4 for £16. Attendees will be sent a Zoom link 2 days prior to the start of the talk, and again a few hours before the talk. A link to the recorded session (available for 1 week) will be sent shortly afterwards. Register through Eventbrite HERE.

    Philip Oostenbrink will discuss The Gardens at Walmer Castle on January 5 from 1 – 2:30.

    There are over eight acres of park and gardens surrounding Walmer Castle, the Tudor Fort in Deal that is now the official residence of the Lord Warden of the Cinque Ports. Philip Oostenbrink will look at both the castle itself and the evolution of the gardens from the 16th century, noting in particular the contributions of the Lord Wardens. Key contributions have been made by the first Duke of Dorset between 1727 and 1765 who enclosed the captain’s kitchen garden and added ornamental flower beds; by William Pitt between 1802 and 1806 who planted extensively in the park surrounding the castle, adding a second walled garden, and an evergreen shrubbery. Pitt’s work was continued by Lord Hawkesbury who fashioned the gardens into the shape evident at Walmer today. When the 2nd Earl Granville became Lord Warden he revitalised Pitt’s tree planting and added the striking Boardwalk, and a serpentine walk around the bottom of the moat. From 1913 to 1931, the family of Earl Beauchamp made the castle a summer home and altered the planting style to reflect the then contemporary manner of Gertrude Jekyll. The last major alteration was made in 1997 when Penelope Hobhouse was commissioned to create an entirely new garden within Pitt’s walled garden to commemorate the 95th birthday of Queen Elizabeth the Queen Mother.

    Philip Oostenbrink became Head Gardener at Walmer in 2020. Born in the Netherlands he moved to the UK in 2008 to set up his own garden maintenance company. In 2011 he became Deputy Head Gardener at Hadlow College, then Head Gardener at Canterbury Cathedral in 2015. He has recently published a book The Jungle Garden. He nurtures four National Plant Collections.

  • Wednesdays, October 6 – October 27, 1:00 pm – 2:30 pm – Unforgettable Gardens: Surrey, Online

    The Gardens Trust, in partnership with Surrey Gardens Trust, will sponsor a series of four online talks on Wednesdays, October 6 – October 27, from 1 – 2:30 Eastern Time.

    This ticket costs £16 for the entire course of 4 sessions or you may purchase a ticket for individual sessions, costing £5 via the links below.

    Attendees will be sent a Zoom link 2 days prior to the start of the talk, and again a few hours before the talk. A link to the recorded session (available for 1 week) will be sent shortly afterwards.

    Surrey Gardens Trust are delighted to share some very special and unforgettable gardens from their rich legacy of historic parks and gardens

    Week 1. 6 Oct. Sutton Place: Part of a series of 4 online lectures, £5 each or all 4 for £16.

    Sutton Place is a Grade I Tudor mansion with a Grade II Registered Garden, four miles north of Guildford, on rising ground in the crook of the River Wey. It is an exquisite confection of brick, stone and terracotta and was the home of Sir Richard Weston, friend and courtier of Henry VIII. To the west of the house, a walled garden and small octagonal pavilion survive. Sometime before 1700, a double lime avenue was planted leading northwards. Little was added to the garden. But in the early twentieth century, Lord and Lady Northcliffe created a fashionable wild garden, rose gardens, and a small water garden with some input from Gertrude Jekyll. Later owners were the Duke and Duchess of Sutherland. They entertained lavishly, hosting influential visitors, including the Duke of Windsor and Winston Churchill.

    In 1959, American millionaire J. Paul Getty bought the property, who lived there surrounded by his art collection until his death in 1976. The next owner, Stanley Seeger, commissioned Sir Geoffrey Jellicoe to design new gardens in 1980. This immense project, inspired by psychology, symbolism and Renaissance and Modern Art, was only partially implemented, but Jellicoe’s surviving plans and writing are evidence of his imaginative and exciting ideas. He saw the design as an allegory of Creation, Life and Aspiration. Although Sutton Place is closed to visitors, it remains an important Surrey Garden. Those who have experienced it have found it truly unforgettable.

    Presenter Cherrill Sands is a garden historian with an MA in the Conservation of Gardens, Landscapes & Parks from the Architectural Association, London. She is the Historical Consultant for Painshill in Surrey and teaches and presents garden history and theatre talks. Cherrill has been a member of Surrey Gardens Trust for over twenty-five years and is a former Chair and member of Council. She remains part of their Research and Recording team.

    Week 2. 13 Oct. Munstead Wood: Part of a series of 4 online lectures, £5 each or all 4 for £16.

    As anyone with an interest in garden history will know, the garden at Munstead Wood was the creation of Gertrude Jekyll, who lived there from the early 1880s until her death in 1932.

    When Miss Jekyll bought the 15 acres (6 ha) of acid heathland across the lane from her mother’s house, Munstead House, in 1882, most of the triangular plot had been logged of its pines and had developed a secondary growth of oak, sweet chestnut and pine with an understorey of holly. From an unprepossessing start, Miss Jekyll created a garden that achieved international renown. Her efforts were described in her books Wood and Garden (1899), Home and Garden (1900) and especially in Colour in the Flower Garden (1908), later published as Colour Schemes for the Flower Garden.

    The enormous success of this last book leaves many people with the impression that Miss Jekyll cared only for colour, but in the closing remarks in the book, she wrote, ‘If in the foregoing chapters I have dwelt rather insistently on matters of colour, it is not that I under-rate the equal importance of form and proportion, but that I think that the question of colour, as regards its more careful use, is either more commonly neglected or has had fewer exponents.’

    In his talk, Richard Bisgrove will outline the full range of Gertrude Jekyll’s gardening interests at Munstead Wood and comment on the challenges of caring for the garden in the 21st century.…..

    Richard Bisgrove gained a First-Class Honours degree in Horticultural Science at Reading (1965), a Master’s in Landscape Architecture at the University of Michigan (1969), and then worked briefly as a landscape architect in Florida before returning to the University of Reading to lecture in Amenity Horticulture. In 1986, at Reading, he introduced Britain’s first-degree course in Landscape Management, retiring as its Director in 2009.Richard was for many years a member of the Council and Conservation Committee of the Garden History Society. He served for nineteen years on the Gardens Panel of the National Trust. He has lectured internationally and written eight books on aspects of garden design and garden history, including The National Trust Book of the English Garden (Viking 1990; Penguin 1992), The Gardens of Gertrude Jekyll (Frances Lincoln 1992; University of California Press 2000) and William Robinson: the wild gardener (Frances Lincoln 2008). Richard has been awarded the Veitch Memorial Medal by the Royal Horticultural Society, the Peter Youngman Award by the President of the Landscape Institute and Honorary Fellowship of the Kew Guild.

    Week 3. 20 Oct. Muslim Memorial Peace Garden: Part of a series of 4 online lectures, £5 each or all 4 for £16.

    This unique Grade II listed site is situated on the southeast corner of Horsell Common. Established in 1917, it was the original resting place for the 24 wounded Muslim soldiers who died at hospitals in England after serving our country during World War I and II. In the 1960s, the site was vandalised regularly, and the bodies were moved to the Military Cemetery at Brookwood.

    During the summer of 2013, work began to restore the empty interior of the Muslim Burial Ground’s structure to create a garden of peace and reminiscence. The garden is now a significant site and a truly contemplative garden space which provides a focal point for acts of commemoration and remembrance, dedicated to all the Muslim soldiers of the British Indian Army who died during both wars.

    Elizabeth Cuttle has a degree in Environment and Landscape studies and later studied horticulture at Merrist Wood and Nescot.She is a long-term member of Surrey Gardens Trust and served on Council for four years. She has been a Trustee of Horsell Common Preservation Society, who own Horsell Common in Woking and the Muslim Burial Ground, for twelve years. She was appointed to work with Dr Zafar Iqbal of Woking Borough Council on the project to restore the Muslim Burial Ground. For personal reasons, she knew how much memorials to fallen soldiers mean and felt privileged to be involved in the project.

    Week 4. 27Oct. Albury Park: Part of a series of 4 online lectures, £5 each or all 4 for £16.

    Albury Park in Surrey lies in the sheltered valley formed by the little stream the Tillingbourne. Within the park’s pleasure grounds remain much of the gardens designed by John Evelyn in the 1660s for his friend Henry Howard, 2nd Earl of Arundel. The original two 390m metre long immaculately grassed terraces, each 12 metres deep, dominate the rising ground to the north and are both backed by high walls. At the centre of the top terrace is an exedra with 13 niches, to the front of which is a semi-circular pool and fountain dated 1666. The central niche contains the entrance to the 150-metre tunnel or crypta under Silver Hill – a reference to the Grotto at Posilippo near Naples with its illusions to Virgil. The lower terrace has a Bath House at its centre. The brick-vaulted room has three rounded niches on three sides with the original showerheads over each. This private garden contains many superb specimen trees planted in the early eighteenth century, which are still being added to by the present owner, the Duke of Northumberland. Evelyn perhaps created the gardens as a memory theatre to Italy and the memory of the 1st Earl of Arundel in whose circle Evelyn spent his early years. In the 1630s, Arundel had created a somewhat similar garden on the same spot as Evelyn’s. A series of drawings by Wenceslaus Hollar survive.

    Following retirement from Brooklands College, Presenter Jan Clark joined Painshill in 2001 after enjoying an extramural course on garden history while at the University of Surrey. Since then, she has been at Painshill as a volunteer guide, speaker, and researcher. She has written articles in the Garden History Journal, the Folly Fellowship, and Surrey Garden Trust. She has been a member since the early 2000s.

  • Saturday, October 27, 1:00 pm – 2:00 pm – Ellen Shipman and the American Garden

    Ellen Shipman (1869-1950) was one of the leading landscape architects of the Country House era, designing over 600 gardens, often in collaboration with leading architects, such as Charles Platt and Harrie T. Lindeberg. This Tower Hill Botanic Garden lecture and book signing on October 27 at 1 pm will explore Shipman’s career and recent restorations of her gardens, such as Longue Vue House and Gardens, Cummer Museum of Art and Gardens, and several private commissions. Free with admission to Tower Hill.

    Judith B. Tankard is an art historian specializing in American and British landscape history. She is the author of ten books, including Beatrix Farrand: Private Gardens, Public Landscapes and Gertrude Jekyll and the Country House Garden. She is a Fellow of the Garden Conservancy and an advisor for several landscape preservation organizations. She taught at the Landscape Institute, Arnold Arboretum of Harvard University, for more than twenty years. Most importantly, in our view, she is a member of The Garden Club of the Back Bay. For more information visit www.towerhillbg.org.

    Image result for Judith Tankard

  • Thursday, October 18, 5:30 pm – 9:00 pm – Massachusetts Horticultural Society Honorary Medals Dinner

    The Massachusetts Horticultural Society’s 118th Honorary Medals Dinner will take place Thursday, October 18 from 5:30 – 9 in the Hunnewell Building at The Gardens at Elm Bank, 900 Washington Street in Wellesley.

    Margaret Roach (pictured below) is the 2018 nominee for the George Robert White Medal of Honor, the highest honor given by the Society. Ms. Roach will be honored for her distinguished career in horticulture as a garden writer for publications, such as Newsday and Martha Stewart Living, where she was able to reach millions of people as she shared her knowledge of gardening. The author of three books, A Way to Garden, And I Shall Have Some Peace There, and The Backyard Parables and her web site, A Way to Garden. She also hosts a public-radio show and podcast which all continue to make meaningful connections between people, plants, and their beloved gardens.

    The George Robert White Medal of Honor was established in 1909 and is among the most distinguished horticultural awards in the United States. The first honoree was Charles Sprague Sargent, Director of the Arnold Arboretum. Other recipients have included Gertrude Jekyll, Jens Jensen, The Royal Horticultural Society, Massachusetts General Hospital and Tasha Tudor.

    Dale Deppe of Spring Meadow Nursery is the 2018 nominee for the Jackson Dawson Memorial Award. This award is given for exceptional skill in the science or practice of hybridization or propagation of hardy, woody plants.

    William Cannon is the nominee for the Thomas Roland Medal, which honors men and women who have shown exceptional horticultural skill. Mr. Cannon is honored for his expertise of holly and his garden in Brewster, MA.

    Betsy Ridge Madsen will receive a Gold Medal for her leadership as Chair of Massachusetts Horticultural Society and her dedication to help continue the Society’s legacy. Betsy’s volunteerism at the Flower Show as a judge, clerk, and many other positions helps continue Mass Hort’s tradition of promoting Amateur Competitions for passionate designers and plants people. As a floral designer, gardener, horticulturist and spokesperson, Ms. Ridge Madsen has advanced the art and science of horticulture by example and her willingness to share her expertise with others.

    Carol Stocker will receive a Gold Medal in recognition of her work as a garden writer for the Boston Globe and other publications which has promoted the art and science of horticulture to thousands of readers.

    Karen Perkins is nominated for the Silver Medal for her efforts in the propagation and promotion of Epimediums. She is the owner of Garden Vision Epimediums, and has demonstrated her dedication to the science of horticulture and promoting plants for people to enjoy in their gardens.

    Trish Wesley Umbrell is nominated for the Silver Medal for her extraordinary skill as a garden educator, both formerly with Mass Hort and currently with the Natick Community Organic Farm.

    Reservations are required ($125 per person).  Visit https://masshort.org/education-events/honorary-medals-dinner/

    Image result for margaret roach