Tag: Glass House

  • Wednesday, March 5, 6:30 pm – 8:00 pm Eastern – Architecting Nature: Philip Johnson, David Whitney, and the Evolution of the Glass House Estate, 1946 – 2024, Live and Online

    This is the second program in the 2025 Grand Homes and Gardens Speaker Series, The Quality of Doing: Mid-Century Modern Grand Homes & Gardens, featuring four scholars who will look at the work of Mid-Century Modern architects and designers through the lens of landmark homes and gardens across the United States. Learn more about the series and purchase series tickets.

    “To me the whole experience of what’s been labeled now all over the world ‘the glass house’ is a misnomer. To me, the house is a park. To me, the whole experience is a park in which there are, indeed, monuments or occasions or accidents or things by nature and things that I’ve placed there that create a place.” Philip Johnson (1906-2005)

    World-renowned architect Philip Johnson’s words convey the undeniable importance of the fifty-acre estate he assembled and tweaked over fifty years in partnership with curator and plantsman David Whitney. This talk will consider the social, architectural, and gardening history of the property, and its evolution from five untamed acres to a carefully contrived ideal landscape that is the setting – and the view — for The Glass House and its orbiting playground of Modernist follies constructed between 1946 and 2005. 

    All talks begin at 6:30 p.m. in Morven’s Stockton Education Center. Doors and the virtual waiting room open at 6:00 p.m. A Zoom link will be sent to all virtual participants upon registration. Light refreshments inspired by each site will be provided for in-person attendees.


    Maureen Cassidy-Geiger is an internationally recognized curator, scholar and educator with special expertise in European decorative arts and the history of architecture, gardens and court culture. Formerly on the staff of the Metropolitan Museum of Art, the Frick Collection and Parsons School of Design, she has curated exhibitions in Europe and America and has published and lectured on a broad array of subjects, for amateurs and specialists alike. In 2021, she presented The Art of Architecture: Beaux-Arts Drawings from the Peter May Collection at New-York Historical Society, to accompany the publication of the two-volume catalogue Living with Architecture as Art: The Peter May Collection of Architectural Drawings, Models and Artefacts (Paul Holberton Press).

    This program is sponsored by David Schure and Grant Wagner, mid century modern house specialists from Callaway Henderson Sotheby’s International Realty. The 2025 Grand Homes and Gardens series is sponsored by Bryn Mawr Trust.

  • Sunday, July 24, 10:00 am – 4:00 pm – Essex County Open Day

    Sunday, July 24, 10:00 am – 4:00 pm – Essex County Open Day

    The Garden Conservancy will hold its Essex County Open Day on July 24 from 10 – 4.

    The Glass House in Swampscott is a modernist home designed in 1957 by Martin Bloom, a Harvard graduate and student of Walter Gropius, the founder of the Bauhaus School. Carefully sited on an acre of wooded grounds, the house interacts with the landscape through walls of glass, framing views and blurring the boundary between indoors and outdoors. There are five distinct outdoor gardens/spaces wrapping around the house. The unassuming front yard garden gives way to a planting of bamboo anchoring the elevated deck. The back of the house has a rocky outcrop garden framed by mature trees. A bend in a stone path surprises a visitor with a moon gate that leads to two distinct courtyard gardens where conifers have the presence of living sculptures throughout the changing seasons.

    The close interaction of the house and the gardens was recently captured in a piece by Tovah Martin, featured in the March/April 2021 issue of New England Home Magazine.  Register HERE.

    Seaside Farm in Marblehead (below) is on a two-acre site on Peach’s Point overlooking Doliber Cove has a rich garden history. During the early 1900s, it was an Italianate formal garden with pools, formal rose garden, and statuary, part of an enormous estate owned by yachtsman Francis Crowninshield and his heiress, historical preservationist wife, Louise du Pont Crowninshield.

    The current owners bought the property with its overgrown and neglected gardens in 1996. Three years later, after discovering the property’s rich landscape history, they hired Doug Jones from Boston’s Keith LeBlanc Landscape Architecture firm to restore the gardens. Based on period black-and-white photographs from 1937, new replicated iron railings were installed, caved-in concrete pools were rebuilt, and old roses were planted to recreate the garden. The original house no longer exists, thus certain landscape transitions presented challenges that have been handled delicately. The new house sits on the water and the gardens surrounding it have been done in a more contemporary style. The property has some enormous beeches that date to the original period. Register HERE.

    • Pre-registration is REQUIRED for each garden. Pre-register for each on this website, except where specifically indicated otherwise. Children under 12 are free and do not need to be pre-registered if accompanied by pre-registered adult.
    • Capacity is limited. Sorry, no walk-ins allowed; no paper tickets or cash payments will be accepted on-site.
    • Masks are required, at the discretion of the garden owners, and social distancing is encouraged at all in-person events.

  • Wednesday, July 20, 6:30 pm – 7:30 pm – The Philip Johnson Glass House: An Architect in the Garden

    Wednesday, July 20, 6:30 pm – 7:30 pm – The Philip Johnson Glass House: An Architect in the Garden

    Join Maureen Cassidy-Geiger in the Mabel Louise Riley Seminar Room at the Museum of Fine Arts Boston on Wednesday, July 20 at 6:30 for an illustrated presentation of her new book, The Philip Johnson Glass House: An Architect in the Garden. This is the first comprehensive history of the architect’s sublime 49-acre suburban estate, which evolved between 1946 and 2005, in partnership with David Whitney. Known chiefly for its iconic centerpiece, the site features a dozen Johnsonian follies, sculptures by Donald Judd and Julian Schnabel, three “antique” houses, and a pastoral landscape of meadows, marshland, mature trees, and historic rock walls. A magnet for architects, artists and high society, the Glass House was, at once, salon, showpiece, and laboratory. It was also a fertile setting for a succession of short-lived gardens designed and tended by Whitney over four decades.

    Book signing follows in the MFA Bookstore & Shop.  MFA member price $10, nonmembers $12. To order tickets by phone, call 1-800-440-6975; to order in person, visit any MFA ticket desk. Online: http://www.mfa.org/programs/lecture/the-philip-johnson-glass-house-an-architect-in-the-garden

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