Tag: Jamaica Kincaid

  • Tuesday, February 24, 5:00 am – 6:30 am Eastern (but recorded) – What’s In a Name? Online

    Stories of horticulture and garden-making are often bound up with stories of empires. From the global trade in plants and the economic imperative behind botanic gardens to the acquired status and symbolism of certain plants and the realities of human exploitation, this series will explore the myriad ways in which economic and political power has influenced the seemingly commonplace activities of gardeners.

    This January 8-part online series from The Gardens Trust picks up themes and ideas from the Gardens and Empires conference presented in June 2025 by English Heritage and Royal Botanic Gardens, Kew in association with the British Library. Some of the speakers from the conference will be expanding on the topics they presented, and additional researchers have been invited to share their perspectives. The series will focus on European empires and will examine their global impact and influence on plants and gardening. We will explore issues from the perspective of both the coloniser and the colonized, of individuals and institutions, of the past and continuing legacies today – and will see both the triumphs and cruelties inherent in the stories around empires, plants and gardening.

    This ticket link is for the series of 8 talks at £56 or you may purchase a ticket for individual talks, costing £8. (Gardens Trust members £6 each or all 8 for £42). There will be an opportunity for Q & A after each session. Ticket holders can join each session live and/or view a recording for up to 2 weeks.

    Lecture 6 will be held on February 24. In My Garden (1991), Antiguan American writer Jamaica Kincaid wrote that the renaming of indigenous plants by Western botanists ‘emptied worlds of their names’. This lecture will present early modern lexical strategies to erase or (often erroneously) promote indigenous and regional plant names. Before the adoption of the binomial system for scientific terms in Latin and before today’s controversial efforts to update the International Code of Nomenclature with indigenous names, the naming of plants in the seventeenth century in France was as fascinating as it was complex. ‘‘What’s in a name?’ asked Juliet to Romeo. ‘That which we call a rose by any other name would smell as sweet’. In this lecture, we will provide other answers to Juliet’s question.

    Jérôme Brillaud, Senior Lecturer in French Studies at the University of Manchester, has published books and articles on early modern French culture. His current research is on seventeenth- and eighteenth-century French kitchen gardens. His forthcoming book is entitled ‘Cultivating Knowledge: Translation and Fruticulture in Early Modern France and England.’

    This session will be chaired by Jill Sinclair of the Gardens Trust.

    Image: Detail of frontispiece to Nicolas de Bonnefons, The French Gardiner, translated by Philocepos, 1658, ©The Trustees of the British Museum, shared under a CC BY-NC-SA 4.0 licence

  • Saturday, January 11, 3:00 pm – An Encyclopedia of Gardening for Colored Children

    Join Stockbridge Library and Berkshire Botanical Garden on Saturday, January 11, at 3 p.m. for a community read, featuring Jamaica Kincaid’s novel An Encyclopedia of Gardening for Colored Children. The facilitated conversation is free, and registration is preferred. Register at https://www.berkshirebotanical.org/events/community-read-encyclopedia-gardening-colored-children-jamaica-kinkaid

  • Thursday, October 14, 6:30 pm – 8:00 pm – Frederick Law Olmsted Lecture: Jamaica Kincaid

    Jamaica Kincaid is a widely acclaimed and fiercely original writer known for her novels, short stories, and essays, including writings on her life as a gardener. She was also staff writer for the New Yorker from 1973 to 1996 and has been a contributor for the Village Voice.

    She is beloved by generations of readers who discovered her fiction, including Annie John and “Girl,” in high school and is admired by critics for her daring and unorthodox body of work. Answering claims that her fiction and essays are characterized by anger, Kincaid says, “The important thing isn’t whether I’m angry. The more important thing is, is it true? Do these things really happen? I think I’m saying something true. I’m not angry … The way I think of it is that I’m telling the truth.”

    In the New York Review of Books, Darryl Pinckney wrote, “Kincaid’s rhythms and the circularity of her thought patterns in language bring Gertrude Stein to mind. She is an eccentric and altogether impressive descendant.”

    Kincaid is the recipient of a Guggenheim grant and has been nominated for the National Book Award. She was elected to the American Academy of Arts and Letters in 2004 and the American Academy of Arts and Sciences in 2009.

    Kincaid was born in Antigua, British West Indies, in 1949, and arrived in the United States in 1965 to work as an au pair. In 1973, she changed her name from Elaine Cynthia Potter Richardson to Jamaica Kincaid, mostly to prevent her parents from finding out that she was writing. She’s now the mother of two grown children and is a professor in the African and African American Studies department at Harvard University.

    This year’s Harvard Graduate School of Design Frederick Law Olmsted Lecture will take place October 14, online.

    Click here to register for Frederick Law Olmsted Lecture: Jamaica Kincaid. The event will also be live streamed to the Harvard GSD YouTube page. Only viewers who are attending the lecture via Zoom will be able to submit questions for the Q+A. If you would like to submit questions for the speaker in advance of the event, please click here. Live captioning will be provided during this event.