Boston Flora

Tag: Richard Bisgrove

  • Tuesday, March 11, 6:00 am – 7:30 am Eastern (but recorded) – William Robinson: The Horticultural John Ruskin

    The Arts and Crafts Movement sought a return to vernacular traditions in the face of increasing industrialization. It thrived for two decades or so around the turn of the twentieth century, although its effect is still obvious today in many decorative arts. In the garden, the movement was most clearly articulated through the work of William Robinson (1838-1935) and Gertrude Jekyll (1843-1932). Their example was followed by a plethora of British architects and designers into the middle of the 20th century and beyond, and their influence spread to Europe, the US and further afield. What we today identify as Arts and Crafts gardens are perhaps typified by a geometric layout of compartments in close relationship with the house, alongside the use of architectural features in local materials and abundant, color-themed planting.

    In this series, we will examine the origins of the Arts and Crafts garden, consider the work of Robinson and Jekyll in detail, and survey some of the many other British garden-makers who were influenced by the movement. The series will end with an international flavor, exploring the work of an American designer who was a life-long admirer of Robinson and Jekyll.

    This ticket is for this individual talk (Click HERE) costs £8, and you may purchase tickets for other individual sessions, or you may purchase a ticket for the entire fifth series of 5 talks in our History of Gardens Course at £35 via the link here. (Gardens Trust members £6 each or all 5 for £26.25). Ticket holders can join each session live and/or view a recording for up to 2 weeks afterwards. Ticket sales close 4 hours before the talk.

    Attendees will be sent a Zoom link 2 days prior to the start of the talk, and again a few hours before the talk (If you do not receive this link, please contact us). A link to the recorded session will be sent shortly after each session and will be available for 2 weeks.

    Talk 2 is entitled William Robinson: The Horticultural John Ruskin. Born in Ireland, Robinson moved at the age of 23 to work in the Royal Botanic Society’s Garden in Regent’s Park, then on the edge of London. A great admirer of, and later correspondent with, Ruskin, he drew a direct analogy between the ‘bedding system’ which he hated, and Ruskin’s description of the industrial world. In his talk, Richard will outline Robinson’s gardening and prolific writing career and discuss the ways in which he hoped to improve the lives of the poorer members of society, becoming, as a 1931 Country Life article declared, ‘England’s greatest gardener’.

    Richard Bisgrove has degree in Horticultural Science and Landscape Architecture. As a lecturer in horticulture and landscape management at Reading University his main research interests were the management of species rich grasslands (the flowery mead!) and garden history, with particular emphasis on Gertrude Jekyll and William Robinson. He was for many years a member of the Council and Conservation Committee of the Garden History Society and of the Gardens Panel of the National Trust. His publications include The Gardens of Gertrude Jekyll (Frances Lincoln, 1992; University of California Press 2000) and William Robinson: the wild gardener (Frances Lincoln, 2008).

    Image: Gravetye Manor, William Robinson’s house and main terrace, photo ©Richard Bisgrove

  • Tuesday, March 4, 5:00 am – 6:30 am Eastern (but recorded) – A History of Gardens: The Origins of the Arts and Crafts Garden

    The Arts and Crafts Movement sought a return to vernacular traditions in the face of increasing industrialization. It thrived for two decades or so around the turn of the twentieth century, although its effect is still obvious today in many decorative arts. In the garden, the movement was most clearly articulated through the work of William Robinson (1838-1935) and Gertrude Jekyll (1843-1932). Their example was followed by a plethora of British architects and designers into the middle of the 20th century and beyond, and their influence spread to Europe, the US and further afield. What we today identify as Arts and Crafts gardens are perhaps typified by a geometric layout of compartments in close relationship with the house, alongside the use of architectural features in local materials and abundant, color-themed planting.

    In this series, we will examine the origins of the Arts and Crafts garden, consider the work of Robinson and Jekyll in detail, and survey some of the many other British garden-makers who were influenced by the movement. The series will end with an international flavor, exploring the work of an American designer who was a life-long admirer of Robinson and Jekyll.

    This ticket is for this individual talk (Click HERE) costs £8, and you may purchase tickets for other individual sessions, or you may purchase a ticket for the entire fifth series of 5 talks in our History of Gardens Course at £35 via the link here. (Gardens Trust members £6 each or all 5 for £26.25). Ticket holders can join each session live and/or view a recording for up to 2 weeks afterwards. Ticket sales close 4 hours before the talk.

    Attendees will be sent a Zoom link 2 days prior to the start of the talk, and again a few hours before the talk (If you do not receive this link, please contact us). A link to the recorded session will be sent shortly after each session and will be available for 2 weeks .

    Talk 1 will take place March 4 with Richard Bisgrove. What eventually became the Arts and Crafts Movement had two strands: a rejection of ‘modern’ painters in favour of mediaeval art and a reaction to the perceived horrors of the Industrial Revolution. The leading proponents of these ideas were John Ruskin and William Morris. In his talk, Richard will outline very briefly the lives of these two men and discuss their interests in, and influences on, the gardens of their age.

    Richard Bisgrove has degree in Horticultural Science and Landscape Architecture. As a lecturer in horticulture and landscape management at Reading University his main research interests were the management of species rich grasslands (the flowery mead!) and garden history, with particular emphasis on Gertrude Jekyll and William Robinson. He was for many years a member of the Council and Conservation Committee of the Garden History Society and of the Gardens Panel of the National Trust. His publications include The Gardens of Gertrude Jekyll (Frances Lincoln, 1992; University of California Press 2000) and William Robinson: the wild gardener (Frances Lincoln, 2008). Image: The Red House, William Morris’s house ‘planted’ in a Kentish orchard, photo Richard Guy Wilson Architecture Archive, 1983, under a CC BY 4.0 license

  • Wednesdays, October 6 – October 27, 1:00 pm – 2:30 pm – Unforgettable Gardens: Surrey, Online

    The Gardens Trust, in partnership with Surrey Gardens Trust, will sponsor a series of four online talks on Wednesdays, October 6 – October 27, from 1 – 2:30 Eastern Time.

    This ticket costs £16 for the entire course of 4 sessions or you may purchase a ticket for individual sessions, costing £5 via the links below.

    Attendees will be sent a Zoom link 2 days prior to the start of the talk, and again a few hours before the talk. A link to the recorded session (available for 1 week) will be sent shortly afterwards.

    Surrey Gardens Trust are delighted to share some very special and unforgettable gardens from their rich legacy of historic parks and gardens

    Week 1. 6 Oct. Sutton Place: Part of a series of 4 online lectures, £5 each or all 4 for £16.

    Sutton Place is a Grade I Tudor mansion with a Grade II Registered Garden, four miles north of Guildford, on rising ground in the crook of the River Wey. It is an exquisite confection of brick, stone and terracotta and was the home of Sir Richard Weston, friend and courtier of Henry VIII. To the west of the house, a walled garden and small octagonal pavilion survive. Sometime before 1700, a double lime avenue was planted leading northwards. Little was added to the garden. But in the early twentieth century, Lord and Lady Northcliffe created a fashionable wild garden, rose gardens, and a small water garden with some input from Gertrude Jekyll. Later owners were the Duke and Duchess of Sutherland. They entertained lavishly, hosting influential visitors, including the Duke of Windsor and Winston Churchill.

    In 1959, American millionaire J. Paul Getty bought the property, who lived there surrounded by his art collection until his death in 1976. The next owner, Stanley Seeger, commissioned Sir Geoffrey Jellicoe to design new gardens in 1980. This immense project, inspired by psychology, symbolism and Renaissance and Modern Art, was only partially implemented, but Jellicoe’s surviving plans and writing are evidence of his imaginative and exciting ideas. He saw the design as an allegory of Creation, Life and Aspiration. Although Sutton Place is closed to visitors, it remains an important Surrey Garden. Those who have experienced it have found it truly unforgettable.

    Presenter Cherrill Sands is a garden historian with an MA in the Conservation of Gardens, Landscapes & Parks from the Architectural Association, London. She is the Historical Consultant for Painshill in Surrey and teaches and presents garden history and theatre talks. Cherrill has been a member of Surrey Gardens Trust for over twenty-five years and is a former Chair and member of Council. She remains part of their Research and Recording team.

    Week 2. 13 Oct. Munstead Wood: Part of a series of 4 online lectures, £5 each or all 4 for £16.

    As anyone with an interest in garden history will know, the garden at Munstead Wood was the creation of Gertrude Jekyll, who lived there from the early 1880s until her death in 1932.

    When Miss Jekyll bought the 15 acres (6 ha) of acid heathland across the lane from her mother’s house, Munstead House, in 1882, most of the triangular plot had been logged of its pines and had developed a secondary growth of oak, sweet chestnut and pine with an understorey of holly. From an unprepossessing start, Miss Jekyll created a garden that achieved international renown. Her efforts were described in her books Wood and Garden (1899), Home and Garden (1900) and especially in Colour in the Flower Garden (1908), later published as Colour Schemes for the Flower Garden.

    The enormous success of this last book leaves many people with the impression that Miss Jekyll cared only for colour, but in the closing remarks in the book, she wrote, ‘If in the foregoing chapters I have dwelt rather insistently on matters of colour, it is not that I under-rate the equal importance of form and proportion, but that I think that the question of colour, as regards its more careful use, is either more commonly neglected or has had fewer exponents.’

    In his talk, Richard Bisgrove will outline the full range of Gertrude Jekyll’s gardening interests at Munstead Wood and comment on the challenges of caring for the garden in the 21st century.…..

    Richard Bisgrove gained a First-Class Honours degree in Horticultural Science at Reading (1965), a Master’s in Landscape Architecture at the University of Michigan (1969), and then worked briefly as a landscape architect in Florida before returning to the University of Reading to lecture in Amenity Horticulture. In 1986, at Reading, he introduced Britain’s first-degree course in Landscape Management, retiring as its Director in 2009.Richard was for many years a member of the Council and Conservation Committee of the Garden History Society. He served for nineteen years on the Gardens Panel of the National Trust. He has lectured internationally and written eight books on aspects of garden design and garden history, including The National Trust Book of the English Garden (Viking 1990; Penguin 1992), The Gardens of Gertrude Jekyll (Frances Lincoln 1992; University of California Press 2000) and William Robinson: the wild gardener (Frances Lincoln 2008). Richard has been awarded the Veitch Memorial Medal by the Royal Horticultural Society, the Peter Youngman Award by the President of the Landscape Institute and Honorary Fellowship of the Kew Guild.

    Week 3. 20 Oct. Muslim Memorial Peace Garden: Part of a series of 4 online lectures, £5 each or all 4 for £16.

    This unique Grade II listed site is situated on the southeast corner of Horsell Common. Established in 1917, it was the original resting place for the 24 wounded Muslim soldiers who died at hospitals in England after serving our country during World War I and II. In the 1960s, the site was vandalised regularly, and the bodies were moved to the Military Cemetery at Brookwood.

    During the summer of 2013, work began to restore the empty interior of the Muslim Burial Ground’s structure to create a garden of peace and reminiscence. The garden is now a significant site and a truly contemplative garden space which provides a focal point for acts of commemoration and remembrance, dedicated to all the Muslim soldiers of the British Indian Army who died during both wars.

    Elizabeth Cuttle has a degree in Environment and Landscape studies and later studied horticulture at Merrist Wood and Nescot.She is a long-term member of Surrey Gardens Trust and served on Council for four years. She has been a Trustee of Horsell Common Preservation Society, who own Horsell Common in Woking and the Muslim Burial Ground, for twelve years. She was appointed to work with Dr Zafar Iqbal of Woking Borough Council on the project to restore the Muslim Burial Ground. For personal reasons, she knew how much memorials to fallen soldiers mean and felt privileged to be involved in the project.

    Week 4. 27Oct. Albury Park: Part of a series of 4 online lectures, £5 each or all 4 for £16.

    Albury Park in Surrey lies in the sheltered valley formed by the little stream the Tillingbourne. Within the park’s pleasure grounds remain much of the gardens designed by John Evelyn in the 1660s for his friend Henry Howard, 2nd Earl of Arundel. The original two 390m metre long immaculately grassed terraces, each 12 metres deep, dominate the rising ground to the north and are both backed by high walls. At the centre of the top terrace is an exedra with 13 niches, to the front of which is a semi-circular pool and fountain dated 1666. The central niche contains the entrance to the 150-metre tunnel or crypta under Silver Hill – a reference to the Grotto at Posilippo near Naples with its illusions to Virgil. The lower terrace has a Bath House at its centre. The brick-vaulted room has three rounded niches on three sides with the original showerheads over each. This private garden contains many superb specimen trees planted in the early eighteenth century, which are still being added to by the present owner, the Duke of Northumberland. Evelyn perhaps created the gardens as a memory theatre to Italy and the memory of the 1st Earl of Arundel in whose circle Evelyn spent his early years. In the 1630s, Arundel had created a somewhat similar garden on the same spot as Evelyn’s. A series of drawings by Wenceslaus Hollar survive.

    Following retirement from Brooklands College, Presenter Jan Clark joined Painshill in 2001 after enjoying an extramural course on garden history while at the University of Surrey. Since then, she has been at Painshill as a volunteer guide, speaker, and researcher. She has written articles in the Garden History Journal, the Folly Fellowship, and Surrey Garden Trust. She has been a member since the early 2000s.