Tag: Wellesley

  • Tuesday, October 10, 6:30 pm – 8:00 pm – Frederick Law Olmsted Lecture: The Blue Hills – Charles Eliot’s Design Experiment (1893 – 1897)

    Portrait of Anita Berrizbeitia, who wears glasses and a black shirt.

    Anita Berrizbeitia is a Professor of Landscape Architecture at the Harvard Graduate School of Design. She served as Chair of the Department of Landscape Architecture between 2015-2022 and as Program Director of the Master in Landscape Architecture Degree Programs between 2012-2015. Her research explores nineteenth and twentieth-century public realm landscapes, with interests in material culture, urban political ecology, and the productive functions of landscapes in processes of urbanization and climate adaptation. Her research on Latin American cities and landscapes focuses, in addition, on the role of large-scale infrastructural projects on territorial organization, climate adaptation, and on the interface between landscape and emerging urbanization.

    A licensed landscape architect, she has worked on a broad range of projects and competitions, including urban design, campus planning, public parks, and residential gardens. She is a consultant for national and international landscape architectural firms and has served on juries of multiple design competitions in the US and abroad, including Chair of the Jury of the Rome Prize at the American Academy in Rome, and design competitions in Chile, Ecuador, Argentina, Spain, and the Middle East.  At Harvard, she serves on the university’s Design Review Board, the Harvard University Committee on the Arts and the Radcliffe Institute Public Art Competition.  She serves on the editorial board of the Journal of Landscape Architecture (JoLA). Before joining the GSD in 2009 she was a faculty member at the University of Pennsylvania.

    At the GSD she has taught core Landscape Architecture studios and core Urban Design studios. Her option studios have focused on urban and territorial scale infrastructures, on emergent urbanization, and climate adaptation. She has also taught design theory in both the core and elective curricula.

    Berrizbeitia is editor of Urban Landscape—Critical Concepts in Built Environment Series; editor of Michael Van Valkenburgh Associates: Reconstructing Urban Landscapes (Yale University Press), which received an ASLA Honor Award; author of Roberto Burle Marx in Caracas: Parque del Este, 1956–1961 (Penn Press), awarded the inaugural J.B. Jackson Book Prize in 2007 from the Foundation for Landscape Studies; and co-author with Linda Pollak of Inside/Outside: Between Architecture and Landscape, which won an ASLA Merit Award. Her essays have been published widely in journals and anthologies, including the Journal of Landscape Architecture (JoLA); Studies in the History of Gardens & Designed Landscapes; Center for Advanced Studies in the Visual Arts (National Gallery of Art); Cultural History of Gardens (Berg Publishers)Sao Paolo: A Graphic Biography (University of Texas Press), Cerros Islas Santiago (Fundación Cerros Islas); Recovering Landscape (Princeton Architectural Press); CASE: Downsview Park Toronto (Prestel); Large Parks (Princeton Architectural Press); and Retorno al Paisaje (Evren) among others. With Diane Davis, she co-edited Harvard Design Magazine 49: Publics (2021).

    Berrizbeitia received a BA from Wellesley College in Studio Art and an MLA from the GSD. She was awarded the Prince Charitable Trusts Rome Prize Fellowship at the American Academy in Rome in 2006.

    This lecture explores how developments in the earth sciences—specifically geology, evolutionism, and biogeography—ushered in advances in design methodologies for large public–realm landscapes in late nineteenth-century Boston.  

    In her earlier work on Charles Eliot’s Metropolitan Park System of 1892, she argued that geology had provided a framework for re-envisioning what had become a fragmented territory as a unified whole. Eliot proposed the region’s formative processes and the thick and unseen strata underlying the visible and varied topography in and around Boston as the foundation for a new political geography for a rapidly expanding city. For the Blue Hills, the largest of the reservations of the park system, Eliot turns his attention to the surface, proposed as a mantle of vegetation that drapes over the hills’ granitic foundation. Eliot introduces methods of biogeography to fieldwork, of forestry and conservation, and of what today we call restoration ecology. However, Eliot also prompts us to reconsider the role of the wild and wilderness, and of aesthetics in relationship to a growing public. Rather than being the product of a singular or unified framework, his proposal shows us the intertwining of multiple design methods and ways of knowing that join notions of the “wild” and of the “urban.” 

    Harvard Graduate School of Design is proud to host this October 10 Frederick Law Olmsted free lecture at Gund Hall’s Piper Auditorium beginning at 6:30 pm. For complete details visit www.gsd.harvard.edu

  • Wednesday & Thursday, May 3 & 4, 9:30 am – 4:00 pm Eastern, and Friday, May 5, 9:30 am – 2:30 pm – Variegated Plants in Graphite

    Variegated plants have next-level opportunities for stunning portraits and graphite is the versatile medium to pair with those intricate patterns. Susan Fisher will show you a systematic process that will sort out confusing value issues from the beginning. Learn manageable skills to produce tone and form for variegated subjects. Demonstrations, discussions and easy-to-follow exercises in graphite application are designed to refine proficiency. For intermediate to advanced artists. The three classes May 3 – 5 will take place in person at The Gardens at Elm Bank in Wellesley, sponsored by The Friends of Wellesley Botanic Gardens, and is $395 for Friends members, $495 for non-members. Contact wcbgfriends@wellesley.edu for more information.

    Susan Fisher All Rights Reserved
  • Thursday, September 8, Tuesday, September 13, & Thursday, September 15, 9:30 am – 12:30 pm – Botanical Sketchbook: Fruits & Berries, Online

    In this virtual Wellesley College Botanic Garden class with Tara Connaughton, we will explore the colors, forms and textures of late summer fruits while fostering the important practice of using our sketchbooks to develop drawing and painting skills. The focus will be on observing and drawing a series of fruiting plants as well as exploring painting techniques to show rich color and varied surfaces. The class will take place Thursday, September 8, Tuesday, September 13, & Thursday, September 15, from 9:30 – 12:30, and all experience levels are welcome. $125 for members of WCBG, $165 for nonmembers. Register by calling 781-283-3094, or email wcbgfriends@wellesley.edu

  • Mondays, November 16, 23, and 30, 9:30 am – 12:30 pm – Drawing and Painting for the Petrified, Online

    The Friends of Wellesley College Botanic Gardens invite you to a special three part online course taught by Sarah Roche, recent speaker at the Garden Club of the Back Bay November meeting, entitled Drawing and Painting for the Petrified. This course is especially for beginners! Sarah encourages your observational skills to grow in this relaxed seminar with plenty of helpful demonstrations. Experiment with line drawings and the accurate representation of botanical forms. Leap into watercolor painting with a series of fun watercolor exercises. The Zoom course will take place on three Mondays, November 16, 23, and 30, from 9:30 am – 12:30 pm. Members of Friends of WCBG or Massachusetts Horticultural Society $125, nonmembers $150. Register by emailing wcbgfriends@wellesley.edu.

  • Monday, April 27 – Wednesday, April 29, 9:30 am – 3:30 pm – Graphite Mastery: Advanced Techniques – POSTPONED

    The graphite pencil is a fundamental tool in botanical art. It is humble, overlooked and essential. There is a great deal to be gained by using this simple device with accuracy and finesse. Susan Fisher will help you explore familiar graphite skills – line, form, value, edges and textures – to take each one beyond your current ability. Exercises in graphite application will focus on the subtle and more obvious methods of use for each of these critical elements. Develop the patience and appreciation for this enduring medium and improve all your botanical work. This Wellesley College Botanic Garden three day course, April 27 – 29 from 9:30 -3:30, will be held in the Cheney classroom at Elm Bank, 900 Washington Street in Wellesley, and is $395 for Friends of Wellesley College Botanic Garden members, $495 for nonmembers. Register at 781-283-3094, or email wcbgfriends@wellesley.edu.

  • Monday, January 20 – Friday, January 24, 9:00 am – 4:00 pm – ON LOCATION: The Kampong

    Monday, January 20 – Friday, January 24, 9:00 am – 4:00 pm – ON LOCATION: The Kampong

    Friends of Wellesley College Botanic Gardens announces the 2020 annual ON LOCATION: The Kampong, at the National Tropical Botanical Garden in Coconut Grove, Florida. All abilities are welcome.   Join Sarah Roche and enjoy five days of botanical art.  Once on location, start to draw with easy field sketches on the grounds of the stunning Kampong historic home and garden, where the climate of the southeast shore of Florida affords a natural open-air environment in which tropical species flourish.  Explore rudiments of form from live specimens as you work in graphite studies.  Some plants will be flowering, others will be fruiting, and some may have all stages of development visible.  Then add color with watercolors.  Take home a journal filled with field sketches useful for future art works and fond memories of a unique experience.  The fee includes class instruction, four luncheons, and a visit to a local botanic garden.  Travel, accommodations, other food, and other expenses not included.  Dormitory accommodations at The Kampong may be arranged on a first-come basis.  For those arriving on Sunday, January 19, a get-acquainted gathering will be arranged.  Contact WCBG Friends for more details.  WCBG Friends of Kampong Members $540, non-members $640. To register, email wcbgfriends@wellesley.edu or call 781-283-3094. Offered in collaboration with The Kampong, National Tropical Botanical Garden.

  • Friday, December 6, 9:30 am – 3:30 pm – Holiday Card Workshop

    Taking your inspiration from the fruits and foliage of the holiday season, create a pen and ink painting suitable for your holiday cards, gift tags, and notepaper, in this Friends of Wellesley Botanic Gardens workshop on December 6 from 9:30 – 3:30 in the Putnam classroom at The Gardens at Elm Bank, 900 Washington Street in Wellesley. Sarah Roche will lead you through the process and help you get your artwork ready for reproduction. Suitable for Techniques and experienced Foundation students. Friends members $110, nonmembers $130. Register by calling 781-283-3094, or email wcbgfriends@wellesley.edu.

    ©2015 Margaret Farr
    Eastern Woodland Berries: American Holly, Eastern Wahoo, Red Cedar
    Ilex opaca, Euonymus atropurpureus, Juniperus virginiana
    watercolor on paper, 22 X 18
  • Wednesdays, October 30, November 6, 13, & 20, and December 4 & 11 – Leaves 101: Foundations of Botanical Drawing & Painting

    Through demonstrations and tutorials, celebrate the colors of seasonal leaves while learning how to realistically depict your subject matter in pencil, and then in watercolor, with Sarah Roche, on six Wednesdays, October 30 – November 20, plus December 4 & 11,  from 9:30 – 1:30 at the Putnam classroom at The Gardens at Elm Bank. All abilities are welcome! This course is the core of WCBG Friends’ botanical art program. Friends price $295, nonmembers $345. Register at http://wellesley.edu/wcbg/learn.

     

     

  • Friday, June 21, 9:30 am – 3:30 pm – Roots and Shoots

    Join artist and naturalist Louise Barteau for a one-day botanical workshop on June 21 from 9:30 – 3:30 in the Putnam classroom at Elm Bank, 900 Washington Street in Wellesley. Using a hand lens and a notebook, examine many examples of plant structures while considering their role in plant growth. Brief slide presentations will be accompanied by hands-on observation and exercises. This Friends of Wellesley College Botanic Gardens class is $70 for members, $85 for non-members. Register at www.wellesley.edu/wcbg/learn

  • Thursday, April 18, 10:00 am – 11:30 am – Seeing Nature: The Connection Between Art and Science

    On April 18 from 10 – 11:30 at the Wellesley College Club, Carol Govan will talk about the website she is developing, called “Seeing Nature: the Connection between Art and Science.” It combines all the fun she had teaching and taking various courses at the Wellesley College Botanic Gardens, the Garden in the Woods and the Eagle Hill Institute. She uses art as a process to slow down and record what she sees, and science to research what she has been looking at. This website is a way for her to create her own reference book of illustrated nature observations. Free to members of the Friends of Wellesley College Botanic Garden, $10 for the general public. Pre-register at wcbgfriends@wellesley.edu or call 781-283-3094.