Tag: Harvard

  • Monday, September 13, 12:00 noon – 1:30 pm – Robin Winogrand: In Search of Geographical Re-enchantment, Online

    The replacement of the unique and specific with the generic is a sign of our times. Cities make no exception. In the name of the modern, new and improved, the luring richness, unexpected and uncontrolled are being standardized out of our urban landscapes. The result is often a sterile built environment with scary resemblance to architectural renderings that has little to do with the unfolding of human experience.

    Robin Winogrond will show a series of her recent projects in Switzerland and Germany, most often on the urban periphery, which increasingly focus on sussing out the poetic potential of the banality of our contemporary urban landscape. What in a place engages our imagination or leaves us cold? Using a narrative approach, the projects become testing grounds to re-enchant each specific site with the power of its own inherent qualities, expressing the underestimated oddity of place that our contemporary urban landscapes contain.

    Robin Winogrond, landscape architect and urban designer, is co-founder of Studio Vulkan Landscape Architecture, in Zurich, Switzerland. She was partner from 2014-2020, a period in which numerous international competitions and prizes were won, most notably the recently completed Zurich Airport Park. While continuing the collaboration with Studio Vulkan, she is working independently and internationally on projects, juries, lecturing, teaching, and publishing. She is currently teaching at the Harvard University Graduate School of Design.

    Robin Winogrond works on a wide variety of scales and themes, with a focus on built works as well as large-scale open space and urban design schemes, and site-specific installations. Her work, at once atmospheric and pragmatic in nature, seeks to design but also build powerful experiences of slippery matters such as atmosphere, imagination, the psychology of social space, multifaceted identity of place, and embodied experience. Combining these with the pragmatic nature of building, the projects search to understand and interpret the diverse demands, contradictions and countervailing expectations of the contemporary landscape, especially on the increasingly banal urban periphery, using this productive tension as a driver for developing innovative and experimental design strategies that interpret the conditions of the site and its users.

    The Harvard Graduate School of Design’s Fall 2021 Public Programs are all virtual and require registration.

    Click here to register for Robin Winogrond, “In Search of Geographical Re-enchantment”. The event will also be live streamed to the Harvard GSD YouTube page. Only viewers who are attending the lecture via Zoom will be able to submit questions for the Q+A. If you would like to submit questions for the speaker in advance of the event, please click here. Live captioning will be provided during this event. 

  • Look Again: Nature Through a Different Set of Eyes

    Joel Kershner brings sensitivity, as well as a delightful, sometimes anthropomorphic touch of humor, to his photographs of the trees, plants, and other aspects of nature to be found in the Arnold Arboretum or in his neighborhood. Enjoy this look at the beauty, texture, color, and movement to be found in nature–the nature seen through Joel Kershner’s eyes and camera. Access the online exhibit HERE

    Kershner has been a volunteer in the Arnold Arboretum’s field study program for the past nine years, leading small groups of students from Boston Public Schools in outdoor explorations of the natural world. He has also been a nature guide at the Ipswich River Audubon Sanctuary. 

    As a photographer, Kershner has honed his vision to capture images that invoke the unexpected, the quirky, and imperfect. In recognition of his photographic art, he was selected to be an artist member of the Copley Society of Art, the oldest non-profit, member art association in the United States.

    All rights of the images reside with the artist. For more information on making a copy, or reusing an image, please send your request to arbweb@arnarb.harvard.edu. For information on the work itself, or to inquire about purchasing art, please also send your request to arbweb@arnarb.harvard.edu. We will put you in touch with the artist.

  • Through April, 2021 – Over Time: Through Art, The Impact of Change in the Arboretum Landscape, Monotype Paintings by Ginny Zanger

    Five decades of weekly walks in the Arnold Arboretum find expression in Ginny Zanger’s art. “Rambling” gives her time to sketch and paint. Using the unique possibilities of her favorite medium—watercolor—and printmaking, Zanger explores, with articulate interpretations, the Arboretum’s rich botanical display. In this online show, most of her work is on Yupo, a silky, polypropylene paper that enhances the flow of the watercolor.

    After her undergraduate time at Harvard, Zanger moved from Cambridge to Jamaica Plain. On this side of the river, she has spent years thoroughly immersed in the education of the Arboretum.

    Part of that education revolved around a concern for the effect of global warming on plants. Inspired by climate change research conducted by Arboretum Fellow Catherine Chamberlain, Zanger brought an additional and ongoing focus to her work. She made the exception to her monotype paintings in her dramatic charcoal drawing, False Spring/Fatal Budburst, based on a photograph provided by researchers.

    Ginny Zanger is an award-winning painter and printmaker whose work can be seen at the Cove Gallery, Wellfleet, the Copley Society of Art, JP Open Studios, on her website, and on Instagram @ginnyzanger and @artgirlzboston. Zanger has been a strong presence in the Boston Art community through teaching, participating in an extensive number of solo and juried group exhibitions, and attending numerous artist’s residencies.

    To provide opportunities for Boston children to learn here, 50 percent of any sales from this exhibition will go to support the Arnold Arboretum’s important, ongoing educational programming with Boston Public Schools.                      

    All rights of the images reside with the artist. For more information on making a copy, or reusing an image, please send your request to arbweb@arnarb.harvard.edu. For information on the work itself, or to inquire about purchasing art, please also send your request to arbweb@arnarb.harvard.edu. We will put you in touch with the artist. To view, click HERE

  • Saturday, March 13, 12:30 pm – Identity as a Pathway: Scorpion Evolution and Queer Advocacy, Online

    The Cambridge Entomological Club will hold an online meeting with keynote speaker Lauren Esposito, Schlinger Curator of Arachnology at the California Academy of Sciences. She will be speaking about “Identity as a Pathway: Scorpion Evolution and Queer Advocacy.

    We will also host a panel discussion, “Encouraging Diversity in the Field of Entomology: A Panel Discussion with BIPOC Entomologists.

    The panel will feature:

    • Dr. Dominic Evangelista, Adelphi University, co-founder of EntoPOC (Moderator)
    • Dr. Sebastian Echeverri, American Arachnological Society
    • Megan Wilson, PhD candidate, American Museum of Natural History & Rutgers University-Newark, co-founder of EntoPOC
    • Sallqa-Tuwa Mafla BondocGawa, American Museum of Natural History & Rutgers University-Newark, co-founder of EntoPOC
    • Teá Kesting-Handly, PhD Student, University of Massachusetts Boston

    The meeting will be held from 12:30pm to 4pm Eastern Time. There will be a business meeting preceding the panel discussion and keynote presentation; a full agenda will be sent prior to the meeting.

    Advanced registration is required. Use this link to Register now!

  • Friday, March 5, 12:00 noon – 1:30 pm – Think Like a Historian, Imagine Like a Designer: A Conversation on Landscape History and Design Education

    History is a manner of thinking about the world, grounded in the places we design, construct, and inhabit. Design offers the opportunity to re-imagine the world around us, today and for the future. We might draw from history, or draw upon it; certainly, it is to be hoped that we are drawn to it, as designers and historians. The purpose of landscape history—not reducible to memory nor timelines nor styles—is to produce and share knowledge of how we have come to be who and where we are. We will gather across studios we collectively inhabit to draw attention to and lessons from the design of history. We will investigate the relationship of history as a craft and design as a mode of inquiry. As landscape historians who have chosen to teach and do their scholarship within the Graduate School of Design and Harvard design community, we investigate the role of history and its methods and narratives in the understanding of place and cultural relationships to site and landscape. By thinking like a historian, designers might re-imagine both their future and our collective future.

    On Friday, March 5, join three speakers online for a virtual conversation. Registration is free but required: Click here to register for “Think like a Historian, Imagine like a Designer: A Conversation on Landscape History and Design Education.”

    Thaisa Way is the Program Director for Garden & Landscape Studies at Dumbarton Oaks Research Library and Collection, a Harvard University research institution located in Washington DC. She teaches and researches history, theory, and design in the College of Built Environments, University of Washington. She was awarded the Rome Prize in Landscape Architecture at the American Academy in Rome in 2016. Dr. Way’s publications focus on questions of history, gender, and shaping the landscape. Her book, Unbounded Practices: Women, Landscape Architecture, and Early Twentieth Century Design (2009, University of Virginia Press) was awarded the J.B. Jackson Book Award.  Her book From Modern Space to Urban Ecological Design: the Landscape Architecture of Richard Haag (UW  Press 2015) explores post-industrial cities and the practice of landscape architecture. She co-edited a book with Ken Yocom, Ben Spencer, and Jeff Hou,  Now Urbanism: The Future City is Here (Routledge 2014). River Cities/ City Rivers (Harvard Press 2018) is a collection of essays contributing to urban environmental history. Her latest book is GGN 1999-2018 (Timber Press, 2018).  Dr. Way is focused on a broad effort to challenge the canon of landscape architecture to engage with the inscriptions of race, gender, and class on the profession, practice, and pedagogy of the field.

    Edward A. Eigen is Senior Lecturer in the History of Landscape and Architecture at the Harvard University Graduate School of Design. A historian of the long nineteenth century, in the European and Anglo-American contexts, his research and teaching focus on relationships in and between humanistic and scholarly traditions and the natural sciences and allied practices of knowledge production. With a background in art history, a professional training in design, and a doctorate in the history and theory of architecture from MIT, he is at home with and seeks to productively defamiliarize images, texts, and topographies of intricate description. A proponent of the Montaignian essay tradition, his writings, while ultimately grounded in the uncertain terrain of “landscape,” have ranged from questions of botanical and zoological systematics, the creation and loss of great and not so great museums and libraries, the history of the weather, and acts of plagiarism in the founding documents of architecture theory. All of these studies engage in questions of historical narrative and the species of evidence upon which it depends and/or invents along the way.

    Eigen was an assistant professor at the Princeton University School of Architecture, where he was an Old Dominion Faculty Fellow, and the recipient of a university-wide graduate mentoring award, and the David A. Gardner ’69 Magic Grant for his research on architectural machines.  His article on the prestidigitator Robert-Houdin’s invention of the doorbell will appear as “Controlling: Comfort in the Modern Home,” in Architecture and Technics: A Theoretical Field Guide to Practice. At the GSD, Eigen co-organized the colloquium “Claiming Landscape as Architecture,” which appeared as a special issue of Studies in the History of Gardens & Designed Landscapes, of which he is an Associate Editor. His recent book, On Accident: Episodes in Architecture and Landscape (MIT Press), seeks to reclaim and provide forms of interpretability for unfamiliar incidents and artifacts that fall outside the canon. His current monograph project, Beyond the Rose Garden, examines real and emblematic landscapes and architectures associated with the administrations of Presidents Kennedy, Johnson, Nixon, and Ford, including the “grassy knoll,” the Highway Beautification Act, Watergate, and the Bicentennial Time Capsule.

    Raffaella Fabiani Giannetto is a garden historian and critic. She is the editor of The Culture of Cultivation: Recovering the Roots of Landscape Architecture (2020) and of Foreign Trends in American Gardens: A History of Exchange, Adaptation, and Reception (2017). In 2010 Fabiani Giannetto received the Society of Architectural Historians’ Elisabeth Blair MacDougall Book of the Year Award for her first monograph, Medici Gardens: From Making to Design (2008). In the book she questions the origin of a design process that is often taken for granted and casts doubt on the existence of the Italian garden as a timeless and consistent type, an issue which she continues to explore in her most recent manuscript, Georgic Grounds and Gardens from the Mediterranean to the Atlantic World, which examines the transmission, translation and adaptation of agricultural, horticultural and design knowledge from early modern Veneto to colonial America.

    Fabiani Giannetto’s research has been supported by two fellowships at Dumbarton Oaks, the American Philosophical Society, the Mellon Foundation and a National Endowment for the Humanities fellowship awarded by the Folger Shakespeare Library. She has served as member of the editorial board of the journal Studies in the History of Gardens and Designed Landscapes and has lectured in Switzerland, Germany, Italy, England, and the United States.

    For additional information click HERE.

  • Thursday, February 25, 11:00 am – 12:00 noon – Leslie Bennett: Gardens of Sanctuary, Online

    Founder and owner of Pine House Edible Gardens, Leslie Bennett designs, builds, and maintains edible and culturally resonant landscapes that are beautiful and productive. The gardens she creates provide visual, physical, and cultural inspiration-along with nourishing organic harvests of food, flowers and medicinal herbs. With degrees from Harvard, Columbia Law School, and University College London in the fields of environmental law,cultural property, and social justice, Bennett brings a rare and important perspective to her landscape designs and her business practices. One effort of Pine House Edible Gardens is the Oakland, CA-based Black Sanctuary Gardens project, founded by Bennett in 2018, which actively works to create garden spaces of refuge and beauty in collaboration with Black women and communities.

    Recently, Leslie Bennett received the American Horticultural Society’s 2020 Great American Gardeners Landscape Design Award. She is co-author of The Beautiful Edible Garden, and has been featured in Better Homes & Gardens, Martha Stewart Living, and Garden Design. Joining Bennett in conversation will be Jennifer Jewell, creator and host of the award-winning public radio program and podcast Cultivating Place.

    This February 25 online program is sponsored by the New York Botanical Garden as part of its Winter Lecture Series, and begins at 11 am Eastern time. To register, or for more information, visit www.nybg.org.

  • Tuesday, February 23, 7:30 pm – 9:00 pm – Senior Loeb Scholar Online Lecture: Walter Hood

    Walter Hood is the Creative Director and Founder of Hood Design Studio in Oakland, California. Hood Design Studio is a cultural practice, working across art, fabrication, design, landscape, research and urbanism. He is also the David K. Woo Chair and the Professor of Landscape Architecture and Environmental Planning at the University of California, Berkeley. He lectures on and exhibits professional and theoretical projects nationally and internationally. He was recently the Spring 2020 Diana Balmori Visiting Professor at the Yale School of Architecture. He will speak online with the Harvard Graduate School of Design on February 23 at 7:30 Eastern time as the Senior Loeb Scholar Lecturer.

    Walter creates urban spaces that resonate with and enrich the lives of current residents while also honoring communal histories. Hood melds architectural and fine arts expertise with a commitment to designing ecologically sustainable public spaces that empower marginalized communities. Over his career, he has transformed traffic islands, vacant lots, and freeway underpasses into spaces that challenge the legacy of neglect of urban neighborhoods. Through engagement with community members, he teases out the natural and social histories as well as current residents’ shared patterns and practices of use and aspirations for a place.

    The Studio’s award-winning work has been featured in publications including Dwell, The Wall Street Journal, The New York Times, Fast Company, Architectural Digest, Places Journal, and Landscape Architecture Magazine. Walter Hood is also a recipient of the 2017 Academy of Arts and Letters Architecture Award, 2019 Knight Foundation Public Spaces Fellowship, 2019 MacArthur Fellowship and 2019 Dorothy and Lillian Gish Prize.

    Register to attend the lecture here. Once you have registered, you will be provided with a link to join the lecture via Zoom. This link will also be emailed to you.

    The event will also be live streamed to the GSD’s YouTube page. Only viewers who are attending the lecture via Zoom will be able to submit questions for the Q+A. If you would like to submit questions for the speakers in advance of the event, please click here. Live captioning will be provided during this event. A transcript will be available roughly two weeks after the event, upon request.

  • Friday, January 29, 7:00 pm – Science on Screen: Beasts of the Southern Wild

    In “Beasts of the Southern Wild,” Benh Zeitlin’s stunning work of cinematic magical realism, six-year old Hushpuppy is faced with both her hot-tempered father’s fading health and melting ice-caps that flood her ramshackle bayou community and unleash ancient aurochs.

    Winner of the World Cinema Grand Jury Prize at the 2012 Sundance Film Festival and nominated for four Academy Awards, the film announced the arrival of a major new talent in filmmaker Zeitlin and actress Quvenzhané Wallis.

    In this free WBUR online Science on Screen discussion on January 29 at 7,  Cristina Kim, associate producer of Here & Now, looks at the film through the lens of climate change and race. She’ll be joined by Dr. Gaurab Basu, health equity fellow at the Center for Climate, Health, and the Global Environment at Harvard’s T.H. Chan School of Public Health and Dr. S. Atyia Martin, CEO and founder of All Aces Inc.

    Join the conversation! Submit your questions to us before and during the event here. Find out where to watch “Beasts of the Southern Wild” before the event here.

    Event produced in partnership with the Coolidge Corner Theatre as part of their 2021 Sundance Film Festival programming.

  • Monday, September 21, 12:00 noon – 1:30 pm – Thinking Through Soil: Case Study from the Mezquital Valley

    The Harvard Graduate School of Design is pleased to present a series of talks and webinars broadcast to our audiences via Zoom. *This lecture will be ONLINE ONLY. For security reasons, virtual attendees must register. Scroll down to find complete instructions for how to register.

    Almost 200,000 acres of land in the fertile Mezquital Valley are irrigated with the untreated sewage of Mexico City. Every drop of rain, urban runoff, industrial effluent, and sewage in Mexico City is sent to the Mezquital Valley through a 60 kilometer pipe. Soils in this valley have been continuously irrigated with urban wastewater since 1901, longer than any other soil in the world. The capacity of these soils to produce conditions in which agriculture can be practiced safely and produce healthy crops depends on a complex negotiation between soil chemistry, farming practices, public policy, land management, and the urban design of Mexico City. Without this wastewater, the Mezquital Valley would be a desert, as it falls into the UN’s  “drylands” climate category, where rates of evapotranspiration exceed precipitation. Currently, more than 40% of the Earth’s surface is classified as “drylands.” In the context of a warming planet, the world simply cannot afford for urban wastewater reuse to fail. Water is scarce, and food security is fragile. In this context, the question becomes: what would the city look like if it needed to produce a fertile agricultural soil from its waste? What would the farm look like if it better anticipated its material connection to the bodies of 20 million people and the effluent of urban life?

    Seth Denizen is a researcher and design practitioner trained in landscape architecture and human geography. He has received design awards from the SOM Foundation, Urban Edge Awards, and Bauhaus Dessau Foundation (2013), while also publishing widely on art and design with the Asia Art Archive, LEAP International Art Magazine of Contemporary China, Volume, Fulcrum, among others. He is currently a member of the editorial board of Scapegoat Journal: Architecture/Landscape/Political Economy. Collaborations include scientific research on Hong Kong’s urban microbiome, as well as art exhibitions in the Blackwood Gallery (Toronto), The Kunsthal (Netherlands), and Para/Site Art Space (Hong Kong). After teaching Landscape Architecture at the University of Hong Kong and the University of Virginia, Seth recently completed a PhD in Geography at the University of California Berkeley. His doctoral research investigates the vertical geopolitics of urban soil in Mexico City, where he is working with geologists and soil scientists to characterize the material complexities and political forces that shape the distribution of geological risk in Mexico’s urban periphery.

    Follow Seth Denizen on Twitter.

    Register to attend the lecture here. Once you have registered, you will be provided with a link to join the lecture via Zoom. This link will also be emailed to you.

    The event will also be live streamed to the GSD’s YouTube page. Only viewers who are attending the lecture via Zoom will be able to submit questions for the Q+A. Live captioning will be provided during this event. After the event has ended, a transcript will be available upon request.

  • Thursday, September 10, 7:30 pm – 9:00 pm – Green Infrastructure Beyond Flood Risk Reduction, Online

    The Graduate School of Design at Harvard University is pleased to present a series of talks and webinars broadcast to our audiences via Zoom. This lecture will be ONLINE ONLY. For security reasons, virtual attendees must register. Scroll down to find complete instructions for how to register.

    Event Description

    This lecture explores whether it is possible to achieve both social justice and environmental sustainability in efforts to mitigate urban flood risk. The expanding scale of urban flooding under climate change has renewed interest in large-scale restoration projects that make room for water in metro centers. However, ecologically functioning green infrastructure – unleashed rivers, sprawling wetlands – is inconsistent with the current governance landscape of fragmented local governments seeking to maximize local land values and minimize affordable housing. Moreover, even smaller-scale urban greening projects have resulted in gentrification, suggesting that larger-scale green infrastructure projects will produce still more racist, classist, and exclusionary development. The design imagination for new ecological landscapes has far outpaced a reimagination of the institutional and governance arrangements needed to enable nature-based solutions that advance social justice and ecological sustainability under climate change. This lecture provides an introduction to U.S. development practices implicated by these transitional landscapes, suggests future directions such as urban food production and regional governance, and invites conversation about ways to bridge traditional disciplinary silos in creating racially just, ecologically sustainable, and fiscally functioning cities.

    Linda Shi, MUP ’08, is Assistant Professor in the Department of City and Regional Planning at Cornell University. Her research concerns how to plan for urban climate adaptation in ways that improve environmental sustainability and social justice. She assesses how aspects of urban land governance – including the fiscalization of land use, property rights regimes, and metropolitan regional institutions – shape climate vulnerability and adaptation responses. An urban environmental planner by training, Shi has worked for AECOM, the Institute for International Urban Development, and the Rocky Mountain Institute, and consulted for the World Bank and American Institute of Architects on projects and research in the U.S., Asia, Latin America, and Africa. Shi received a Ph.D. in urban and regional planning from MIT’s Department of Urban Studies and Planning, a master’s in urban planning from Harvard Graduate School of Design, and a bachelor’s and master’s in environmental management from Yale / Yale School of Forestry and Environmental Studies.

    Register to attend the lecture here. Once you have registered, you will be provided with a link to join the lecture via Zoom. This link will also be emailed to you.

    The event will also be live streamed to the GSD’s YouTube page. Only viewers who are attending the lecture via Zoom will be able to submit questions for the Q+A. Live captioning will be provided during this event. After the event has ended, a transcript will be available upon request.